Mary Stuart
Costume Design
1958 (made)
1958 (made)
| Artist/Maker | |
| Place of origin |
Costume design for Soldiers by Leslie Hurry for Schiller's Mary Stuart, Old Vic, 1958.
Leslie Hurry (1909-1978) trained at the Royal Academy and during the 1930s became known as a surrealist painter. A one-man show in London in 1942 was seen by the theatre director, Michael Benthall, who recommended Hurry to the dancer and choreographer, Robert Helpmann, then planning a ballet based on Shakespeare's Hamlet. The success of his designs set Hurry on a second career as one of the most distinguished theatre designers of his generation. He designed operas, ballets and plays, notably Swan Lake for the Sadler's Wells Ballet in 1943, a production which stayed in the repertoire for thirty years; Venice Preserv'd for Peter Brook (1953); the Ring Cycle at Covent Garden (1954), and Troilus and Cressida at Stratford for Peter Hall (1960), famous for being staged in a sand pit.
Leslie Hurry (1909-1978) trained at the Royal Academy and during the 1930s became known as a surrealist painter. A one-man show in London in 1942 was seen by the theatre director, Michael Benthall, who recommended Hurry to the dancer and choreographer, Robert Helpmann, then planning a ballet based on Shakespeare's Hamlet. The success of his designs set Hurry on a second career as one of the most distinguished theatre designers of his generation. He designed operas, ballets and plays, notably Swan Lake for the Sadler's Wells Ballet in 1943, a production which stayed in the repertoire for thirty years; Venice Preserv'd for Peter Brook (1953); the Ring Cycle at Covent Garden (1954), and Troilus and Cressida at Stratford for Peter Hall (1960), famous for being staged in a sand pit.
Object details
| Category | |
| Object type | |
| Title | Mary Stuart (assigned by artist) |
| Materials and techniques | Ink and watercolour on paper |
| Brief description | Costume design for Soldiers by Leslie Hurry for Schiller's Mary Stuart, Old Vic, 1958 |
| Physical description | Ink and watercolour on paper costume design for Soldiers for the 1958 production of Mary Stuart at Old Vic Theatre. The soldier depicted is wearing an armoured breastplate, yellow trunks, orange tights along with a hat and gloves. |
| Dimensions |
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| Marks and inscriptions |
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| Credit line | Given by Mrs Caro Rathbone |
| Summary | Costume design for Soldiers by Leslie Hurry for Schiller's Mary Stuart, Old Vic, 1958. Leslie Hurry (1909-1978) trained at the Royal Academy and during the 1930s became known as a surrealist painter. A one-man show in London in 1942 was seen by the theatre director, Michael Benthall, who recommended Hurry to the dancer and choreographer, Robert Helpmann, then planning a ballet based on Shakespeare's Hamlet. The success of his designs set Hurry on a second career as one of the most distinguished theatre designers of his generation. He designed operas, ballets and plays, notably Swan Lake for the Sadler's Wells Ballet in 1943, a production which stayed in the repertoire for thirty years; Venice Preserv'd for Peter Brook (1953); the Ring Cycle at Covent Garden (1954), and Troilus and Cressida at Stratford for Peter Hall (1960), famous for being staged in a sand pit. |
| Collection | |
| Accession number | S.1568-2014 |
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| Record created | July 17, 2014 |
| Record URL |
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