Street vendor 4
Brooch
2009 (made)
2009 (made)
Artist/Maker | |
Place of origin |
Ceramics have been an important feature of Peter Hoogeboom’s jewellery since the mid-1990s and these tiny vessels (which he makes) are a recurring feature in his work. Conscious that clay has been used for body adornment since earliest times, he brings an innovative instinct more usually seen in clay vessels than clay jewellery. ‘Instead of using massive beads, in each new series, I try to find new ways to make ceramics supple and wearable. Using slip casted hollow elements contributes to a lighter weight and keeping them relatively small and/or closed adds to their strength’.
Peter Hoogeboom has acknowledged a fascination for ethnographic museums and has written that ‘When people tell me my jewellery seems to come from some unknown far away culture, I realize my love for ethnographics must show through’. This brooch, from the series Year of the Ox, was inspired by Chinese ways of packaging and carrying foods.
This brooch is one of forty-five pieces of jewellery given to the V&A from the collection of the late Louise Klapisch.
Peter Hoogeboom has acknowledged a fascination for ethnographic museums and has written that ‘When people tell me my jewellery seems to come from some unknown far away culture, I realize my love for ethnographics must show through’. This brooch, from the series Year of the Ox, was inspired by Chinese ways of packaging and carrying foods.
This brooch is one of forty-five pieces of jewellery given to the V&A from the collection of the late Louise Klapisch.
Object details
Categories | |
Object type | |
Titles |
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Materials and techniques | Bamboo, with silver and steel fittings, and with porcelain and stoneware vesels attached with raffia. |
Brief description | Brooch of ceramic elements, bamboo, silver and textile. Desiged and made by Peter Hoogeboom, Netherlands, 2009 |
Physical description | The brooch comprises a spiral of bamboo, the ends capped with silver, decorated with miniature ceramic forms. Four brown lidded pots are attached with string, six green gourd-shaped vessels are tied on with raffia, all have a tiny red circle bearing a Chinese motif. A steel double pin attaches to the back. |
Dimensions |
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Credit line | The Louise Klapisch Collection, given by Suzanne Selvi |
Summary | Ceramics have been an important feature of Peter Hoogeboom’s jewellery since the mid-1990s and these tiny vessels (which he makes) are a recurring feature in his work. Conscious that clay has been used for body adornment since earliest times, he brings an innovative instinct more usually seen in clay vessels than clay jewellery. ‘Instead of using massive beads, in each new series, I try to find new ways to make ceramics supple and wearable. Using slip casted hollow elements contributes to a lighter weight and keeping them relatively small and/or closed adds to their strength’. Peter Hoogeboom has acknowledged a fascination for ethnographic museums and has written that ‘When people tell me my jewellery seems to come from some unknown far away culture, I realize my love for ethnographics must show through’. This brooch, from the series Year of the Ox, was inspired by Chinese ways of packaging and carrying foods. This brooch is one of forty-five pieces of jewellery given to the V&A from the collection of the late Louise Klapisch. |
Collection | |
Accession number | M.33-2014 |
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Record created | June 11, 2014 |
Record URL |
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