Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level E , Case MP, Shelf 68

The Five

Collograph Print
1993 (made)
Artist/Maker
Place of origin

Joseph Muzondo (born 1953) is renowned as a sculptor in stone. His early training in drawing, painting and sculpture took place at the B.A.T. Workshops at the National Gallery of Zimbabwe in Harare, but he has also trained in textile design in Tanzania and developed his drawing and printmaking skills during a period of study in Austria. His art education was interrupted by the war of Independence in Zimbabwe when he enlisted as a ‘freedom fighter’. His sculptures are figurative and often have a graphic two-dimensional quality, with a flattened angular manner designed to be viewed from the front rather than in the round. His graphic work reflects and informs his manner of working in stone, but also introduces a self-consciously ‘African’ aesthetic with elongated figures represented in the manner of traditional wooden figure sculptures, and with marks suggesting tribal and ceremonial scarification and body painting, but also the patterns on the ubiquitous ‘African’ wax-resist cloth and the woven textiles of the region.



Object details

Categories
Object type
TitleThe Five (assigned by artist)
Materials and techniques
Collograph on paper
Brief description
Joseph Muzondo: The Five, 1993, collograph
Physical description
Collograph
Dimensions
  • Sheet height: 49cm
  • Sheet width: 32.3cm
Copy number
3/10
Marks and inscriptions
3/10 THE FIVE (COLOGRAPH) JOSEPH MUZONDO /93 (Edition number; title; medium; signature; date. All in pencil.)
Summary
Joseph Muzondo (born 1953) is renowned as a sculptor in stone. His early training in drawing, painting and sculpture took place at the B.A.T. Workshops at the National Gallery of Zimbabwe in Harare, but he has also trained in textile design in Tanzania and developed his drawing and printmaking skills during a period of study in Austria. His art education was interrupted by the war of Independence in Zimbabwe when he enlisted as a ‘freedom fighter’. His sculptures are figurative and often have a graphic two-dimensional quality, with a flattened angular manner designed to be viewed from the front rather than in the round. His graphic work reflects and informs his manner of working in stone, but also introduces a self-consciously ‘African’ aesthetic with elongated figures represented in the manner of traditional wooden figure sculptures, and with marks suggesting tribal and ceremonial scarification and body painting, but also the patterns on the ubiquitous ‘African’ wax-resist cloth and the woven textiles of the region.

Collection
Accession number
E.614-2014

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 9, 2014
Record URL
Download as: JSON