Stickpin
2009 (designed and made)
Artist/Maker | |
Place of origin |
Wendy Ramshaw, (b.1939), one of the most significant British 20th century jewellers, made a gold lapel pin for Dan Klein which unfortunately never got delivered since he died unexpectedly just before it was finished. She has given this pin to the Museum in his memory. Dan Klein was known particularly to the Ceramics & Glass Collections over many years. He was an acknowledged expert in the 20th century decorative arts, firstly through his gallery in Motcomb Street, then as Head of Decorative Arts for Christie’s, Europe and finally as Executive Director of Phillips de Pury. He gave several objects to the V&A collections, including a sugar bowl and cover made by Rosenthal AG, 1908, an earthenware plate with painted and printed decoration, designed by Graham Sutherland and made by Arthur Wilkinson & Co, ca. 1933-34, a Moby Form of glass, gold and enamel by Richard Meitner, Amsterdam, 1997, and a cut and polished glass form, Sublime Transmission, by Sally Fawkes and Richard Jackson, England, 2008. He was above all, a specialist in contemporary glass. The gold pin is exquisitely made and elegantly designed as one has always expected from Wendy Ramshaw.
Wendy Ramshaw's career is remarkable. She has decisively shaped and influenced contemporary jewellery of the late 20th and early 21st centuries. Wendy Ramshaw’s design vocabulary can be described as a mature, revitalised version of modernism whose values have so much shaped 20th century architecture and the fine and decorative arts. She has received; an OBE and CBE from the Queen and in 1999, she was made a Royal Designer for Industry.
Wendy Ramshaw's career is remarkable. She has decisively shaped and influenced contemporary jewellery of the late 20th and early 21st centuries. Wendy Ramshaw’s design vocabulary can be described as a mature, revitalised version of modernism whose values have so much shaped 20th century architecture and the fine and decorative arts. She has received; an OBE and CBE from the Queen and in 1999, she was made a Royal Designer for Industry.
Object details
Categories | |
Object type | |
Materials and techniques | Gold, with a matt finish |
Brief description | Stickpin, gold, London hallmarks for 18 carat gold, 2009, designed and made by Wendy Ramshaw, CBE, RDI |
Physical description | The pin, surmounted by a head composed of segments of a circle, arranged in a circular pattern, attached to central pin and cross bar, each ending with a ball finial. The segments are attached with splayed wires to a central "C" shaped section. The gold is given a matt, surface finish. |
Dimensions |
|
Marks and inscriptions |
|
Credit line | Given by Wendy Ramshaw in memory of Dan Klein |
Object history | Some time in the 1980's Dan Klein asked me if I would consider making him a lapel pin as a commission but, somehow, between the two of us, it never seemed to get either designed or made, although Dan and I stayed in touch. As well as his considerable expertise in the decorative arts, developed firstly through his gallery in Motcomb Street, then as Head of Decorative Arts with Christie's, Europe and finally as Executive Director of Phillips De Pury, Dan, was above all, a specialist in glass; its history, design and manufacture. Many years after the pin conversation, Dan wrote an essay for my 2007 exhibition, Journey Through Glass, held at The Scottish Gallery, in Edinburgh. He was very interested in the pieces in the exhibition; both the table top pieces and the jewellery. He came along to a photographic sessions and discussed the work with me on many occasions. He introduced me to his niece Juliet who lived in the USA and I subsequently created a large gate for her home in New Jersey, which was shipped across to the States and installed in the driveway of her house. It was coloured a soft shade of grey and is one of my favourite large scale gates. Finally I made the little gold pin as a gift for him but before I could give it to him, he died of cancer. His passing seemed very sudden and the pin remained with me. The Metalwork Department of the Victoria and Albert Museum has agreed to accept the pin into the Museum collection. This makes me happy because it now has a home to his name. Wendy Ramshaw CBE, RDI (24/05/2014) |
Association | |
Summary | Wendy Ramshaw, (b.1939), one of the most significant British 20th century jewellers, made a gold lapel pin for Dan Klein which unfortunately never got delivered since he died unexpectedly just before it was finished. She has given this pin to the Museum in his memory. Dan Klein was known particularly to the Ceramics & Glass Collections over many years. He was an acknowledged expert in the 20th century decorative arts, firstly through his gallery in Motcomb Street, then as Head of Decorative Arts for Christie’s, Europe and finally as Executive Director of Phillips de Pury. He gave several objects to the V&A collections, including a sugar bowl and cover made by Rosenthal AG, 1908, an earthenware plate with painted and printed decoration, designed by Graham Sutherland and made by Arthur Wilkinson & Co, ca. 1933-34, a Moby Form of glass, gold and enamel by Richard Meitner, Amsterdam, 1997, and a cut and polished glass form, Sublime Transmission, by Sally Fawkes and Richard Jackson, England, 2008. He was above all, a specialist in contemporary glass. The gold pin is exquisitely made and elegantly designed as one has always expected from Wendy Ramshaw. Wendy Ramshaw's career is remarkable. She has decisively shaped and influenced contemporary jewellery of the late 20th and early 21st centuries. Wendy Ramshaw’s design vocabulary can be described as a mature, revitalised version of modernism whose values have so much shaped 20th century architecture and the fine and decorative arts. She has received; an OBE and CBE from the Queen and in 1999, she was made a Royal Designer for Industry. |
Collection | |
Accession number | M.4-2014 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | May 30, 2014 |
Record URL |
Download as: JSONIIIF Manifest