Vase thumbnail 1
Vase thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Medieval & Renaissance, Room 62, The Foyle Foundation Gallery

Vase

ca. 1515 (made)
Artist/Maker
Place of origin

The dissemination, during the Middle Ages,of pharmacopoeias and antidotaria, listing the ingredients, preparation and medicinal properties of hundreds of natural rememdies, brought about an increasing demand for appropriate storage vessels. Pharmacies were, subsequently, a major market for maiolica. The pharmacies and dispensaries of monastic orders, hospitals and noble families required large numbers of jars to store their various herbs, roots, syrups, pills, oinments and sweetmeats. These were sometimes marked with coats of arms or other heraldic devices. The production of drug jars inscribed with their contents began in the middle of the fifteenth century, although, non-inscribed vessels continued to be used enabling their contents to be changed as required.

The globular syrup jar was a favourite form of drug vessel in Tuscany. The patricachal cross above the heraldic shield indicates this jug was intended for a monastic pharmacy. Decorative themes favoured by Tuscan potters in the first half of the sixteenth century include formal foliage, flowers springing from urns, stylised pine cones and heraldic beasts.


Object details

Categories
Object type
Materials and techniques
Tin-glazed earthenware
Brief description
Phamaceutical jug, made in Cafaggiolo, ca. 1515
Physical description
Pharmacutical jug with handle formed of two flat conjoined bands, and spout connected by a twisted link with the neck. On the front, a scrolled lable with the name of the contents: SYo DI PAPAVARI, with, above it, an almond-shaped shield with the letters D in chief and No in base, surmounted by a patriachal cross. the label is reserved on a blue ground amongst horned monsters, dolphins, conventional flowers on coiled stems, a basket of fruit and a grotesque mask, in a panel flanked by narrow bands of interlaced ornament; on the neck, above a ring of similar interlacements, leafy stems in narrow vertical panels.
Dimensions
  • Height: 24.2cm
  • Diameter: 18.2cm
  • Weight: 1.460kg
Measured for the Medieval and Renaissance Galleries
Credit line
Bequeathed by George Salting, Esq.
Object history
Previously in the Hastings Collection. Bequeathed by Mr. George Salting

Historical significance: The globular syrup jar was a favourite form of drug vessel in Tuscany. The patricachal cross above the heraldic shield indicates this jug was intended for a monastic pharmacy. Decorative themes favoured by Tuscan potters in the first half of the sixteenth century include formal foliage, flowers springing from urns, stylised pine cones and heraldic beasts.
Historical context
The dissemination, during the Middle Ages,of pharmacopoeias and antidotaria, listing the ingredients, preparation and medicinal properties of hundreds of natural rememdies, brought about an increasing demand for appropriate storage vessels. Pharmacies were, subsequently, a major market for maiolica. The pharmacies and dispensaries of monastic orders, hospitals and noble families required large numbers of jars to store their various herbs, roots, syrups, pills, oinments and sweetmeats. These were sometimes marked with coats of arms or other heraldic devices. The production of drug jars inscribed with their contents began in the middle of the fifteenth century, although, non-inscribed vessels continued to be used enabling their contents to be changed as required.
Summary
The dissemination, during the Middle Ages,of pharmacopoeias and antidotaria, listing the ingredients, preparation and medicinal properties of hundreds of natural rememdies, brought about an increasing demand for appropriate storage vessels. Pharmacies were, subsequently, a major market for maiolica. The pharmacies and dispensaries of monastic orders, hospitals and noble families required large numbers of jars to store their various herbs, roots, syrups, pills, oinments and sweetmeats. These were sometimes marked with coats of arms or other heraldic devices. The production of drug jars inscribed with their contents began in the middle of the fifteenth century, although, non-inscribed vessels continued to be used enabling their contents to be changed as required.

The globular syrup jar was a favourite form of drug vessel in Tuscany. The patricachal cross above the heraldic shield indicates this jug was intended for a monastic pharmacy. Decorative themes favoured by Tuscan potters in the first half of the sixteenth century include formal foliage, flowers springing from urns, stylised pine cones and heraldic beasts.
Bibliographic references
  • Drey, R. Apothecary Jars: pharmaceutical pottery and porcelain in Europe and the East 1150-1850. London, 1978
  • Rackham, B. Italian Maiolica. London: Faber &Faber, 1952
  • Rasmussen, J. Italian Maiolica in the Robert Lehman Collection. The Metropolitan Museum of Art, 1987
  • Watson, Wendy M. Italian Renaissance Ceramics From the Howard I. And Janet H. Stein Collection and the Philadelphia Museum of Art, exh.cat. Philadelphia, The Philadelphia Museum of Art, 2001
Other number
542 - Rackham (1977)
Collection
Accession number
C.2287-1910

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Record createdNovember 3, 2006
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