Cover and Vase thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 137, The Curtain Foundation Gallery

Cover and Vase

ca. 1520 (made)
Artist/Maker
Place of origin

The dissemination, during the Middle Ages,of pharmacopoeias and antidotaria, which listed the ingredients, preparation and medicinal properties of hundreds of natural rememdies, brought about an increasing demand for appropriate storage vessels. Pharmacies were, subsequently, a major market for maiolica. The pharmacies and dispensaries of monastic orders, hospitals and noble families required large numbers of jars to store their various herbs, roots, syrups, pills, oinments and sweetmeats. These were sometimes marked with coats of arms or other heraldic devices. The production of drug jars inscribed with their contents began in the middle of the fifteenth century, although, non-inscribed vessels continued to be used enabling their contents to be changed as required.

Drug jars were produced at Castel Durante from the first half of the sixteenth century. Earlier ware, such as this example, consist of urn-shaped jars painted predominantly in blue and orange colours. The maiolica painter's preoccupation with ornament is particularly apparent on jars of this period. Distinctive treatment is accorded to the entire vessel; the reverse being as elaborately decorated as the front.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Vase
  • Cover
Materials and techniques
Tin-glazed earthenware, painted
Brief description
Drug jar and cover, possibly by Sebastiano di Marforio, Castel Durante, ca. 1520
Physical description
Drug jar and cover. Painted in blue, deep orange, yellow, copper green and opaque white. On the body, below a wreath of formal foliage, in reserve on an orange ground, a cut-work cartouche inscribed in Gothic characters with the name of the contents: Buglosa codit, and, on the reverse, a cuirass amongst musical instruments. Round the shoulder and foot, bands of acanthus foliage, leafy arabesques round the neck; on the cover, large berries and leaves on wavy stems.
Dimensions
  • Height: 28cm
  • Diameter: 21.5cm
Marks and inscriptions
'Buglosa codit'
Translation
Preserved bugloss
Object history
Bought from 'Lowenstein Frankfort', for 11l.
Historical context
The dissemination, during the Middle Ages,of pharmacopoeias and antidotaria, listing the ingredients, preparation and medicinal properties of hundreds of natural rememdies, brought about an increasing demand for appropriate storage vessels. Pharmacies were, subsequently, a major market for maiolica. The pharmacies and dispensaries of monastic orders, hospitals and noble families required large numbers of jars to store their various herbs, roots, syrups, pills, oinments and sweetmeats. These were sometimes marked with coats of arms or other heraldic devices. The production of drug jars inscribed with their contents began in the middle of the fifteenth century, although, non-inscribed vessels continued to be used enabling their contents to be changed as required.
Summary
The dissemination, during the Middle Ages,of pharmacopoeias and antidotaria, which listed the ingredients, preparation and medicinal properties of hundreds of natural rememdies, brought about an increasing demand for appropriate storage vessels. Pharmacies were, subsequently, a major market for maiolica. The pharmacies and dispensaries of monastic orders, hospitals and noble families required large numbers of jars to store their various herbs, roots, syrups, pills, oinments and sweetmeats. These were sometimes marked with coats of arms or other heraldic devices. The production of drug jars inscribed with their contents began in the middle of the fifteenth century, although, non-inscribed vessels continued to be used enabling their contents to be changed as required.

Drug jars were produced at Castel Durante from the first half of the sixteenth century. Earlier ware, such as this example, consist of urn-shaped jars painted predominantly in blue and orange colours. The maiolica painter's preoccupation with ornament is particularly apparent on jars of this period. Distinctive treatment is accorded to the entire vessel; the reverse being as elaborately decorated as the front.
Bibliographic references
  • Drey, R. Apothecary Jars: pharmaceutical pottery and porcelain in Europe and the East 1150-1850. London, 1978./
  • Rasmussen, J. Italian Maiolica in the Robert Lehman Collection. The Metropolitan Museum of Art, 1987
  • Watson, Wendy M. Italian Renaissance Ceramics From the Howard I. and Janet H. Stein Collection and the Philadelphia Museum of Art, exh.cat. Philadelphia, The Philadelphia Museum of Art, 2001
Other number
595 - Rackham (1977)
Collection
Accession number
1202&A-1864

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Record createdNovember 3, 2006
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