Drawing
c.1840 (drawn)
Artist/Maker |
This watercolour sketch is by the graphic artist George Cruikshank (1792-1878), the London-born son of the Scottish painter Isaac Cruikshank (1764-1811). Cruikshank worked in his father's studio and was a talented artist from an early age. He became a prolific artist of political cartoons after 1808 but despite his success in this field, from the 1820s onwards he became more involved in book illustration. His best-known illustration was probably that for Charles Dickens' Oliver Twist, first published in journal form in 1837.
The Ingoldsby Legends by Richard Harris Barham, a priest at the Chapel Royal, were first printed in 1837 as a regular series in Bentley's Miscellany and later in New Monthly Magazine, with illustrations by George Cruikshank and John Leech. They were a collection of myths, legends, ghost stories and poetry supposedly by Thomas Ingoldsby of Tappington manor, and proved so popular that they were compiled into books published in 1840 and 1843.
The Ingoldsby Legends by Richard Harris Barham, a priest at the Chapel Royal, were first printed in 1837 as a regular series in Bentley's Miscellany and later in New Monthly Magazine, with illustrations by George Cruikshank and John Leech. They were a collection of myths, legends, ghost stories and poetry supposedly by Thomas Ingoldsby of Tappington manor, and proved so popular that they were compiled into books published in 1840 and 1843.
Object details
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Object type | |
Materials and techniques | |
Brief description | Illustration by George Cruikshank (1872-1878) for The Ingoldsby Legends by R.H. Barham. For the section entitled The Merchant of Venice: A Legend of Italy, first published episodically in 1837 and in book form in 1840 and 1843. Pen, ink and wash. |
Physical description | Pen, pencil and wash drawing on paper by George Cruikshank (1792-1878) of the trial scene from 'The Merchant of Venice' showing the main characters standing in the foreground, and the judge and jury seated behind them on a raised tier. Shylock is shown standing in the front, holding weighing scales and a knife, next to Portia in her lawyer's robes. |
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Marks and inscriptions |
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Object history | This was an illustration for R.H. Barham's Ingoldsby Legends, which is on page 379 of the 1864 edition. The drawing and the plate have minor differences. The Ingoldsby Legends were first published episodically in 1837 and in book form in 1840 and 1843. |
Production | Drawn for R.H. Barham's Ingoldsby Legends, first published episodically in 1837 and compiled into books published in 1840 and 1843. |
Subjects depicted | |
Literary reference | Merchant of Venice |
Summary | This watercolour sketch is by the graphic artist George Cruikshank (1792-1878), the London-born son of the Scottish painter Isaac Cruikshank (1764-1811). Cruikshank worked in his father's studio and was a talented artist from an early age. He became a prolific artist of political cartoons after 1808 but despite his success in this field, from the 1820s onwards he became more involved in book illustration. His best-known illustration was probably that for Charles Dickens' Oliver Twist, first published in journal form in 1837. The Ingoldsby Legends by Richard Harris Barham, a priest at the Chapel Royal, were first printed in 1837 as a regular series in Bentley's Miscellany and later in New Monthly Magazine, with illustrations by George Cruikshank and John Leech. They were a collection of myths, legends, ghost stories and poetry supposedly by Thomas Ingoldsby of Tappington manor, and proved so popular that they were compiled into books published in 1840 and 1843. |
Collection | |
Accession number | S.78-1982 |
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Record created | November 2, 2006 |
Record URL |
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