Not currently on display at the V&A

Courtesans as the Six Poetry Immortals

Book
before 1815 (made)
Artist/Maker
Place of origin

The linking of beautiful courtesans to icons of Japanese history and legend was a common theme in the popular art of the Edo period (1615-1868). In this illustrated printed book, the artist compares six courtesans to the Six Immortals of Poetry.

On this page of the book, the illustrator Torii Kiyomitsu II (1787-1868) links the courtesan Ôyodo of the Tsuruya House in Edo (modern Tokyo) to one of Japan's six best-loved poets, whose image is in the top right-hand frame. In the central roundel, the courtesan is pictured with a brush and scroll in her hand and her gorgeous robes spilling about her. The crane motif on her outer robe is a play on the name of her brothel, which means The House of Cranes.

Until 1815, Kiyomitsu II used the name Torii Kiyomine I. The fact that he uses his earlier name in this book indicates that it was produced prior to 1815.


Object details

Categories
Object type
Titles
  • Courtesans as the Six Poetry Immortals (series title)
  • The Courtesan Ôyodo of the Tsuruya House (assigned by artist)
  • Seiro Rok'kasen (assigned by artist)
Materials and techniques
Printed in colour, from wood blocks, on paper. Concertina style binding with silk spine
Brief description
Pap, Japan, prints
Physical description
Illustrated book
Dimensions
  • Length: 258mm (Note: Measured in Book Conservation using the measuring box)
  • Width: 193mm (Note: Measured in Book Conservation using the measuring box)
  • Depth: 8mm (Note: Measured in Book Conservation using the measuring box)
Styles
Credit line
Given by the Misses Alexander
Subject depicted
Summary
The linking of beautiful courtesans to icons of Japanese history and legend was a common theme in the popular art of the Edo period (1615-1868). In this illustrated printed book, the artist compares six courtesans to the Six Immortals of Poetry.

On this page of the book, the illustrator Torii Kiyomitsu II (1787-1868) links the courtesan Ôyodo of the Tsuruya House in Edo (modern Tokyo) to one of Japan's six best-loved poets, whose image is in the top right-hand frame. In the central roundel, the courtesan is pictured with a brush and scroll in her hand and her gorgeous robes spilling about her. The crane motif on her outer robe is a play on the name of her brothel, which means The House of Cranes.

Until 1815, Kiyomitsu II used the name Torii Kiyomine I. The fact that he uses his earlier name in this book indicates that it was produced prior to 1815.
Collection
Accession number
E.6814-1916

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Record createdOctober 23, 2006
Record URL
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