Not currently on display at the V&A

Badge

mid-1980s (manufactured)
Artist/Maker
Place of origin

These badges were worn by style icon, designer and club promoter Michael Costiff. Costiff was at the helm of the London club scene in the 1980s, running the Kinky Gerlinky nightclub with his wife Gerlinde. Their smiley faces are evocative of the late 1980s club scene and associated Rave culture, and one of the badges was produced from a flyer for a London night club of the time.

The smiley face icon has a history within subcultures since the 1970s, when it was associated with the anti-Vietnam hippie culture. Its peak in the British popular consciousness came later, when Rave culture developed in the late 1980s. This was a subculture that adopted the image as symbolic of the euphoria associated with the dance music, clubs and parties and their associated drug Ecstasy. It was recognised as emblematic of this scene in wider society through the symbol’s use in tabloid newspaper headlines, warning of the dangers of raves and drug taking.


Object details

Category
Object type
Materials and techniques
laminated paper, cardboard, metal.
Brief description
Large circular pin badge with a "Smiley Face" printed on fluorescent pink ground; laminated paper, cardboard, metal, by Button Up, New York, 1980s
Physical description
Large circular pin badge with a "Smiley Face" printed on fluorescent pink ground; laminated paper, cardboard, metal
Dimensions
  • Diameter: 15cm
Production typeMass produced
Credit line
Given by Michael Costiff
Summary
These badges were worn by style icon, designer and club promoter Michael Costiff. Costiff was at the helm of the London club scene in the 1980s, running the Kinky Gerlinky nightclub with his wife Gerlinde. Their smiley faces are evocative of the late 1980s club scene and associated Rave culture, and one of the badges was produced from a flyer for a London night club of the time.

The smiley face icon has a history within subcultures since the 1970s, when it was associated with the anti-Vietnam hippie culture. Its peak in the British popular consciousness came later, when Rave culture developed in the late 1980s. This was a subculture that adopted the image as symbolic of the euphoria associated with the dance music, clubs and parties and their associated drug Ecstasy. It was recognised as emblematic of this scene in wider society through the symbol’s use in tabloid newspaper headlines, warning of the dangers of raves and drug taking.
Collection
Accession number
T.40-2014

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Record createdMarch 12, 2014
Record URL
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