Grave Tablet thumbnail 1

Grave Tablet

1493 (made)
Artist/Maker
Place of origin

Memorial tablets were fitted onto the lids of tombs and memorial slabs, or mounted on walls to commemorate the lives of the deceased. They are important sources of information as they are often accompanied by inscriptions and are one of the few examples of medieval art that is consistently dated. This tablet depicts a merchant's mark on a shield, probably the trademark of Konrat Mackel who is commemorated in the shield. Mackel must have been a wealthy merchant: commemorative tablets in Germany tended to be the preserve of the aristocracy.

Merchants used 'marks' from around the thirteenth century. The risk of theft or shipwreck was ever-present when transporting goods long distances and it became customary for merchants to divide consignments between several vessels, rather than risk a full cargo in one ship. Marking of goods established ownership and, by implication, guaranteed some degree of responsibility for quality.

The tablet asks the reader to remember Konrat Mackel who died on St Sebastian's Day, which falls each year on 20th January. St. Sebastian lived reputedly in 3rd-century Rome at the time of the Emperor Diocletian. He was condemned to death for his Christian beliefs and shot with arrows. None of the arrows entered his vital organs and he survived the ordeal. He confronted the Emperor with a renewed avowal of his faith and was this time clubbed to death. St Sebastian was believed to protect the beholder from plague. He is the patron saint of archers, soldiers and athletes.

Object details

Categories
Object type
Materials and techniques
Bronze, cast
Brief description
Grave tablet
Physical description
Bronze grave tablet in the form of a split level shield with in high relief on the bottom 'raised' level a merchant's mark in the form of an arrow, and on the top 'lower' level two hollow triangles, the whole surmounted by a rectangular tablet inscribed in Gothic letters '1493. Starb. konrat.mackel. an. Sant. Sebastian. tag.' The reverse of the tablet has 3 protruding fixing pins. There are several holes and signs of 'old' damage on the tablet.
Dimensions
  • Height: 30.9cm
  • Width: 27.5cm
  • Depth: 4.4cm
Measured for the Medieval and Renaissance Galleries
Style
Marks and inscriptions
  • 1493. Starb. konrat.mackel. an. Sant. Sebastian. tag. (Inscribed in Gothic letters on upper tablet)
    Translation
    1493. Konrat Mackel died on St Sebastian's Day
  • W.L.H. 4583 (Painted on reverse: stands for Walter Leo Hildburgh, ex loan 4583)
  • F773 (Painted on reverse: probably stands for Figdor Collection 773)
Gallery label
(To 2002)
Gallery Label: Gallery 82
GRAVE TABLET
Bronze
GERMAN; 1493.
Inscribed: 1493 STARB KONRAT MACKEL AN SANT SEBASTIAN TAG
Hildburgh gift
No. M.27-1953
Credit line
Given by Dr W. L. Hildburgh
Object history
The Grave Tablet was formerly in the Dr. Albert Figdor Collection. This collection was put together in Vienna between 1869 and 1927 and was one of the largest and most important private collections of its time. It was sold in Berlin in 1930 and this tablet was bought as Lot 529 for 500 marks by Dr Walter Leo Hildburgh. Hildburgh gave the tablet to the Museum inn 1952 (R.F. 52/4221)

Walter Leo Hildburgh was one of the V&A's most dedicated and generous patrons. Born in New York in 1876, he trained as a scientist. Initially he collected ethnography but after 1914 he turned to the decorative arts. Encouraged by successive Keepers of Metalwork, he accumulated huge collections of Spanish and German metalwork. From 1924 when he first offered objects to the Museum on loan, to 1956 when he bequeathed his huge collection, Hildburgh was part of the Museum landscape. He regularly gave the Museum presents at Christmas and on his birthday. His will set up a fund for future purchases, administered in the spirit of his earlier acquisitions.

Historical significance: Memorial brasses are important sources of information about clothing, armour, status and social aspirations as they are often accompanied by inscriptions and are one of the few examples of medieval art that is consistently dated. German merchant tablets are relatively rare as such commemorative gestures tended to be confined to the aristocracy.
Historical context
Memorial tablets were made throughout Europe from the 13th until nearly the end of the 17th century. The practice was revived again in the 19th century. They were fitted onto the lids of tombs and memorial slabs, or mounted on walls to commemorate the lives of the deceased. Memorials in brass or latten (copper alloy), and occasionally bronze, as with this example, gradually superseded stone examples.

This tablet depicts a merchant's mark on a shield, probably the trademark of Konrat Mackel who is commemorated in the shield. Mackel must have been a wealthy merchant: commemorative tablets in Germany tended to be the preserve more of the aristocracy.

Merchants used 'marks' from around the thirteenth century and continued to use them for the next four or five hundred years. The risk of theft or shipwreck was ever-present when transporting goods long distances and it became customary for merchants to divide consignments between several vessels, rather than risk a full cargo in one ship. Marking of goods established ownership and, by implication, guaranteed some degree of responsibility for quality.

The tablet asks the reader to remember Konrat Mackel who died on St Sebastian's Day, which falls each year on 20th January. St. Sebastian lived reputedly in 3rd-century Rome at the time of the Emperor Diocletian. He was condemned to death for his Christian beliefs and shot with arrows. None of the arrows entered his vital organs and he survived the ordeal. He confronted the Emperor with a renewed avowal of his faith and was this time clubbed to death. His body was thrown into a sewer in Rome. St Sebastian was believed to protect the beholder from plague. He is the patron saint of archers, soldiers and athletes.
Subject depicted
Summary
Memorial tablets were fitted onto the lids of tombs and memorial slabs, or mounted on walls to commemorate the lives of the deceased. They are important sources of information as they are often accompanied by inscriptions and are one of the few examples of medieval art that is consistently dated. This tablet depicts a merchant's mark on a shield, probably the trademark of Konrat Mackel who is commemorated in the shield. Mackel must have been a wealthy merchant: commemorative tablets in Germany tended to be the preserve of the aristocracy.

Merchants used 'marks' from around the thirteenth century. The risk of theft or shipwreck was ever-present when transporting goods long distances and it became customary for merchants to divide consignments between several vessels, rather than risk a full cargo in one ship. Marking of goods established ownership and, by implication, guaranteed some degree of responsibility for quality.

The tablet asks the reader to remember Konrat Mackel who died on St Sebastian's Day, which falls each year on 20th January. St. Sebastian lived reputedly in 3rd-century Rome at the time of the Emperor Diocletian. He was condemned to death for his Christian beliefs and shot with arrows. None of the arrows entered his vital organs and he survived the ordeal. He confronted the Emperor with a renewed avowal of his faith and was this time clubbed to death. St Sebastian was believed to protect the beholder from plague. He is the patron saint of archers, soldiers and athletes.
Bibliographic references
  • Norris, Malcolm, Monumental Brasses: The Craft, Faber and Faber, London and Boston, 1978, ISBN 0 571 09891 6
  • Clayton, Muriel, Victoria and Albert Museum: Catalogue of Rubbings of Brasses and Incised Slabs, HMSO, London, 1968, SBN II 290087 9
Other number
Ex. Loan 4584
Collection
Accession number
M.27-1953

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Record createdOctober 11, 2006
Record URL
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