Not currently on display at the V&A

Design

1958 (designed)
Artist/Maker
Place of origin

Many of Oliver Messel's best designs were for operas at Glyndebourne, the opera house built onto John Christie's private house just outside Lewes, in Sussex. His imaginative and lavish costumes and sets informed by historical styles proved an effective complement to many productions, especially Mozart and Rossini operas. He also designed programme covers, working variations on his designs for the productions on which he had worked that year. This design, for the 1958 season's programme, features Rossini's Le Comte Ory.

Oliver Messel (1904-1978) was Britain’s leading theatre designer throughout the 1930s, ‘40s and ‘50s, mastering every aspect of entertainment - ballet, drama, film, musical, opera and revue - as well working in interior decoration and textile design. His lavish, painterly and romantic concepts were perfectly in tune with the times and earned him an international reputation. By 1960, however, that style was becoming unfashionable, and Messel gradually abandoned theatre and built a new career designing luxury homes in the Caribbean.


Object details

Categories
Object type
Materials and techniques
Charcoal, pencil, gouache, watercolour on paper
Brief description
Design by Oliver Messel for Glyndebourne programme cover, 1958.
Physical description
Glyndebourne programme cover design in watercolour. Back and front covers in one sheet washed bright light green: to the left, the back cover with a sketch of a female figure in vaguely medieval dress; to the right, the front cover with a sketch of a female head with medieval headdress.
Dimensions
  • Height: 33.5cm
  • Width: 50.9cm
Production typeDesign
Credit line
Acquired with the support of the National Lottery Heritage Fund, Art Fund and the Friends of the V&A
Object history
The design is for the cover of the 1955 programme for Glyndebourne. The head on the front cover and the figure on the back relate to Rossini's opera Le Comte Ory which was featured in the 1955 season.
Lord Snowdon, Oliver Messel's nephew, inherited Messel's theatre designs and other designs and artefacts. The designs were briefly stored in a disused chapel in Kensington Palace before being housed at the V&A from 1981 on indefinite loan. The V&A Theatre Museum purchased the Oliver Messel collection from Lord Snowdon in 2005.
Production
Reason For Production: Commission
Association
Summary
Many of Oliver Messel's best designs were for operas at Glyndebourne, the opera house built onto John Christie's private house just outside Lewes, in Sussex. His imaginative and lavish costumes and sets informed by historical styles proved an effective complement to many productions, especially Mozart and Rossini operas. He also designed programme covers, working variations on his designs for the productions on which he had worked that year. This design, for the 1958 season's programme, features Rossini's Le Comte Ory.

Oliver Messel (1904-1978) was Britain’s leading theatre designer throughout the 1930s, ‘40s and ‘50s, mastering every aspect of entertainment - ballet, drama, film, musical, opera and revue - as well working in interior decoration and textile design. His lavish, painterly and romantic concepts were perfectly in tune with the times and earned him an international reputation. By 1960, however, that style was becoming unfashionable, and Messel gradually abandoned theatre and built a new career designing luxury homes in the Caribbean.
Bibliographic reference
Pinkham, Roger (ed.) Oliver Messel: an exhibition held at the Theatre Museum, Victoria and Albert Museum, 22 June - 30 September 1983. London: Victoria and Albert Museum, 1983. 200p., ill ISBN 0905209508)
Other number
ROT 4369 - TM Rotation Number
Collection
Accession number
S.434-2006

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdOctober 2, 2006
Record URL
Download as: JSONIIIF Manifest