The Needlework Development Scheme (NDS) was established in 1934 to encourage embroidery and to raise the standard of design in Britain, organised by four Scottish art schools, Aberdeen, Dundee, Edinburgh and Glasgow. Its collection of foreign and British embroidery was available to domestic science and training colleges, women's institutions and schools, as well as art schools. By 1939, the Scheme had acquired some 900 embroideries but the outbreak of WWII closed the Scheme and the collection was retained by the four original art schools. Glasgow School of Art was instrumental in re-starting the scheme late in 1944 and the NDS was gradually expanded to encompass other art schools in the United Kingdom where embroidery was taught. The NDS was disbanded in 1961 when funding was withdrawn, although it was recognised that the Scheme had achieved its aims. Its collection was divided and distributed to various organisations included the Embroiderers Guild, The National Museum of Scotland and the V&A. Susan Riley was a student of Beryl Dean. Her work is figurative and closely detailed, reminisicent of fine pen drawing. Riley designed a number of ecclesiastical projects for Beryl Dean's embroidery class at Hammersmith College of Art and Building, including a cope and mitre for St Paul's Cathedral and The Hammersmith Cope.