Bust of a child thumbnail 1
Bust of a child thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Cast Courts, Room 46b, The Weston Cast Court

Bust of a child

Bust
ca. 1460-1490 (sculpted), ca. 1867 (cast)
Artist/Maker
Place of origin

This plaster cast was made after the original in the Museo Nazionale (Bargello) in Florence made by Andrea della Robbia in the 15th century. The cast was made by the company Messrs Franchi & Son in London in about 1867.

Plaster casts were especially sought after during the 19th century, when reproductions of great works of sculpture and architecture were thought crucial for the training of artists. A separating substance was applied to the surface of the work to be reproduced, and a plaster mould made from that. The mould would then be used to make any number of additional plaster copies. These were often sold to artists, and later in the century to art colleges for study purposes.


Object details

Categories
Object type
TitleBust of a child (generic title)
Materials and techniques
Plaster cast
Brief description
Plaster cast, painted plaster, of an original glazed terracotta bust of a child, in the Museo Nazionale (Bargello), by Andrea della Robbia, Florence, ca. 1460-1490, cast by Messrs Franchi & Son, London, ca.1867
Physical description
Plaster cast of a glazed terracotta bust of a child.
Dimensions
  • Height: 34.5cm
  • Width: 30.5cm
Object history
Purchased from Messrs Franchi & Son in 1867 for £1.
Historical context
This bust may represent the youthful Christ and may once have had a pendant figure of the young St John the Baptist similar to the companion figure of a child (museum no. 1888-509).
Subjects depicted
Summary
This plaster cast was made after the original in the Museo Nazionale (Bargello) in Florence made by Andrea della Robbia in the 15th century. The cast was made by the company Messrs Franchi & Son in London in about 1867.

Plaster casts were especially sought after during the 19th century, when reproductions of great works of sculpture and architecture were thought crucial for the training of artists. A separating substance was applied to the surface of the work to be reproduced, and a plaster mould made from that. The mould would then be used to make any number of additional plaster copies. These were often sold to artists, and later in the century to art colleges for study purposes.
Collection
Accession number
REPRO.1867-182

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Record createdSeptember 22, 2006
Record URL
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