Physical description
Brown monk with green robe sitting cross-legged in the lotus position, hands concealed. He has a beard and moustache, and eyes closed and brows furrowed. The figure sits on a 3-tiered pedestal integral to the sculpture. On the right side there is a description in Chinese characters. There are handles in the side of the base to make transportation easier.
Place of Origin
China (north, made)
Date
1484 (made)
Artist/maker
Unknown (production)
Materials and Techniques
Stoneware, lead glazed
Marks and inscriptions
The pedestal features a dedicatory description "Chenghua 20th year, faithful Dang Yan and Madam Mai. Priest Dao Ji. Craftsman Liu Zhen"
Dimensions
Height: 132 cm, Width: 70 cm, Depth: 50 cm
Object history note
The Royal Scottish Museum was given a similar ceramic figure in 1937 by John Sparks on condition that they repair it, and asked for an information that the V&A held about it. See RP/1937/2920. John Sparks initially had two similar figures, of which the V&A's is one and the Royal Scottish Museum's is the other. The two figures 'arrived in this country in such a damaged state that the firm, John Sparks, who imported it are of opinion that although repairs are feasible the repaired figure would be difficult to sell. In these circumstances they have written to say that they would be willing to give the pieces to any Museum who could undertake the repairs.' Letter to W.C. Wallis of the Royal Scottish Museum from H.A. Kennedy.
Historical context note
Ceramic religious figures have the advantage over their wooden counterparts, though making and successfully firing this exceptional large one must have posed formidable technical challenges to the potter. Such sculptures were offered by faithful Buddhist, who paid for their manufacture, and these specially commissioned pieces often bear an inscription to commemorate the occasion. On this figure the inscription is incised on the right-hand side of the pedestal, giving a date equivalent to 1484: "Chenghua 20th year, faithful Dang Yan and Madam Mai. Priest Dao Ji. Craftsman Liu Zhen".
By a historical coincidence, three other Buddhist figures with similar inscriptions dated 1484 survived in the UK. This suggests that in this year the Buddhist priest Dao Ji persuaded several families to donate money towards the production of ceramic sculptures, the occasion probably being the completion of a new temple. Unlike other ceramics, religious figures of this size seldom changed hands and, once installed in a temple, under normal circumstances they would remain there. During the 1930s, however, when China was experiencing political turmoil, these four figures were shipped to the UK for sale on the art market. Bodhidharma was given to the V&A by the London dealer John Sparks in 1937 because the figure had been damaged in transit, thus difficult to sell. The other three are now in the British Museum, the Burrell Collection, Glasgow, and the Lady Lever Art Gallery, Liverpool.
Descriptive line
Bodhidharma; Cer, China, Ming, lead glazed
Bibliographic References (Citation, Note/Abstract, NAL no)
Liefkes, Reino and Hilary Young (eds.) Masterpieces of World Ceramics in the Victoria and Albert Museum. London: V&A Publishing, 2008, pp. 62-63.
Masterpieces entry
This life-size temple sculpture represents Bodhidharma, an Indian Buddhist monk who came to China in AD 520 and founded the Chan (Zen) sect of Buddhism.
Ceramic religious figures have the advantage over their wooden counterparts, though making and successfully firing this exceptional large one must have posed formidable technical challenges to the potter. Such sculptures were offered by faithful Buddhist, who paid for their manufacture, and these specially commissioned pieces often bear an inscription to commemorate the occasion. On this figure the inscription is incised on the right-hand side of the pedestal, giving a date equivalent to 1484: "Chenghua 20th year, faithful Dang Yan and Madam Mai. Priest Dao Ji. Craftsman Liu Zhen".
By a historical coincidence, three other Buddhist figures with similar inscriptions dated 1484 survived in the UK. This suggests that in this year the Buddhist priest Dao Ji persuaded several families to donate money towards the production of ceramic sculptures, the occasion probably being the completion of a new temple. Unlike other ceramics, religious figures of this size seldom changed hands and, once installed in a temple, under normal circumstances they would remain there. During the 1930s, however, when China was experiencing political turmoil, these four figures were shipped to the UK for sale on the art market. Bodhidharma was given to the V&A by the London dealer John Sparks in 1937 because the figure had been damaged in transit, thus difficult to sell. The other three are now in the British Museum, the Burrell Collection, Glasgow, and the Lady Lever Art Gallery, Liverpool.
Exhibition History
Sculpture (Victoria and Albert Museum, Gallery 47e)
Labels and date
Bodhidharma
1484 (Ming dynasty)
North China
This unusual sculpture stands out, firstly as a Chinese depiction of an Indian figure, and secondly because of its large size and bright colours. The figure is Bodhidharma, a Buddhist monk who is believed to have travelled from India to China in 520, bringing meditational Buddhism with him. From his furrowed brow and closed eyes, we can tell that he is deep in meditation. He sits on a pedestal integral to the sculpture, with apertures for easy handling on either side and an inscription that records the date and donors, 'faithful Dang Yan and Madam Mai'.
Stoneware with brown and green glazes
Museum no. C.110-1937
Given by Messrs John Sparks
Materials
Stoneware
Techniques
Glazing (coating)
Subjects depicted
Bodhidharma
Categories
Ceramics; Sculpture; Buddhism
Collection code
EAS
