Not currently on display at the V&A

The Cowherd

Oil Painting
1843-1868 (painted)
Artist/Maker
Place of origin

Barthélemy Menn (1815-1893) was born in Geneva where he was taught by W. A. Töpffer and subsequently by Léonard Lugardon (1801-1884), a former pupil of Ingres and jean-Antoine Gros. Menn later studied with Ingres and followed him in Rome. He mostly produced portraits and landscapes close to the school of Barbizon although he made his debut with historical subjects. He taught for 40 years and had many pupils among whom the most famous is Ferdinand Hodler (1853-1918).

This painting is a fine example of Menn's second manner, when he was attracted by a freer approach of nature under the influence of Corot and the school of Barbizon. It shows a cowherd leading his cattle accross a stream. Although this work is not dated, it was most likely executed during one of his stay in France or Switzerland between the 1850s and 1868, date of the transfer of the painting in the collection of the museum.


Object details

Category
Object type
TitleThe Cowherd
Materials and techniques
Oil on paper laid on cardboard
Brief description
Oil Painting, 'The Cowherd', Barthélemy Menn, Swiss school, 1843-1868
Physical description
An oil painting depicting a cowherd, on horseback, leading his cattle home at sunset.
Dimensions
  • Estimate painting height: 20.3cm
  • Estimate painting width: 29.2cm
  • Frame height: 345mm
  • Frame width: 430mm
  • Frame depth: 65mm (Note: measured by conservation)
Painting dimensions taken from C.M. Kauffmann, Catalogue of Foreign Paintings, II. 1800-1900, London, Victoria and Albert Museum, 1973. Frame dimensions taken by conservation.
Style
Marks and inscriptions
'B. Menn' (Signed by the artist, lower left)
Credit line
Bequeathed by Rev. Chauncey Hare Townshend
Object history
Rev. Chauncey Hare Townshend, listed in the 1868 post-mortem register of the contents of his villa in Lausanne (V&A R/F MA/1/T1181) as 'Oil on millboard. Cowherd. By B. Menn. In frame. Signed. Swiss. Present century'; bequeathed by Rev. Chauncey Hare Townshend, 1868.

Historical significance: The subject matter is reminiscent of 17th-century Dutch paintings but also results from the revived interest in direct observation of nature. The free and broad pictorial approach is typical of the Realist painting emerged in France in the 1840s and epitomised in landscape painting by the school of Barbizon. Menn composed several similar compositions, more often free of figures.
Such landscape paintings were particularly fashionable during the 19th century and the present painting is one of a group of 6 works by Menn, originally owned by the Rev. Townshend who gathered a rich collection of 19th-century landscape paintings. It is possible that Townshend acquired directly the painting from the artist as he had the habit of spending the winter in Lausanne, situated not far from Geneva.
Subjects depicted
Summary
Barthélemy Menn (1815-1893) was born in Geneva where he was taught by W. A. Töpffer and subsequently by Léonard Lugardon (1801-1884), a former pupil of Ingres and jean-Antoine Gros. Menn later studied with Ingres and followed him in Rome. He mostly produced portraits and landscapes close to the school of Barbizon although he made his debut with historical subjects. He taught for 40 years and had many pupils among whom the most famous is Ferdinand Hodler (1853-1918).

This painting is a fine example of Menn's second manner, when he was attracted by a freer approach of nature under the influence of Corot and the school of Barbizon. It shows a cowherd leading his cattle accross a stream. Although this work is not dated, it was most likely executed during one of his stay in France or Switzerland between the 1850s and 1868, date of the transfer of the painting in the collection of the museum.
Bibliographic reference
Kauffmann, C.M. Catalogue of Foreign Paintings, II. 1800-1900 , London: Victoria and Albert Museum, 1973, pp. 70-72, cat. no. 159.
Collection
Accession number
1611-1869

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdSeptember 21, 2006
Record URL
Download as: JSONIIIF Manifest