Ex-libris Francisco Mancebo Igon de Riocavado
Print
1926 (made)
1926 (made)
Artist/Maker | |
Place of origin |
Although he spent most of his adult life living in Paris, the painter and graphic artist Konstanty Brandel often visited his native Poland and continued to consider himself a Polish artist. His work may be described as Symbolist and has much in common with that of figures such as Odilon Redon and Gustave Doré, although Hieronymus Bosch, Giovanni Battista Piranesi and Francisco de Goya have also been cited as possible influences.
Brandel’s imagery often includes fantastical architecture or disturbing landscapes. Both are frequently inhabited by men, women and animals engaged in strange or ritualistic behaviour and sometimes endowed with supernatural powers such as the ability to float or fly. He also made some ex-libris plates for book collectors, designed to suggest their taste, personality or achievements. This one shows nymphs supporting two coats of arms above a sun-dial bearing the inscription ‘tempus fugit irreparabile’ (‘time flies and cannot be retrieved’).
Brandel’s imagery often includes fantastical architecture or disturbing landscapes. Both are frequently inhabited by men, women and animals engaged in strange or ritualistic behaviour and sometimes endowed with supernatural powers such as the ability to float or fly. He also made some ex-libris plates for book collectors, designed to suggest their taste, personality or achievements. This one shows nymphs supporting two coats of arms above a sun-dial bearing the inscription ‘tempus fugit irreparabile’ (‘time flies and cannot be retrieved’).
Object details
Category | |
Object type | |
Title | Ex-libris Francisco Mancebo Igon de Riocavado (generic title) |
Materials and techniques | Etching |
Brief description | Konstanty Brandel: Ex Libris Francisco Mancebo Igon de Riocavado. 1926. Etching. |
Physical description | Lettered at top as part of the design 'Franciscomancebo-deIGON-CONDE da RIOCAVADO'. Female naiad-like figures floating around two coats of arms suspended beneath a coronet and sunburst. On the lower left a sundial with the lettering TEMPUS FUGIT IRREPARIBILE and EX LIBRIS |
Dimensions |
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Style | |
Copy number | 4/8 |
Marks and inscriptions |
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Credit line | Given by the artist’s uncle, Witold Leitgeber |
Subjects depicted | |
Summary | Although he spent most of his adult life living in Paris, the painter and graphic artist Konstanty Brandel often visited his native Poland and continued to consider himself a Polish artist. His work may be described as Symbolist and has much in common with that of figures such as Odilon Redon and Gustave Doré, although Hieronymus Bosch, Giovanni Battista Piranesi and Francisco de Goya have also been cited as possible influences. Brandel’s imagery often includes fantastical architecture or disturbing landscapes. Both are frequently inhabited by men, women and animals engaged in strange or ritualistic behaviour and sometimes endowed with supernatural powers such as the ability to float or fly. He also made some ex-libris plates for book collectors, designed to suggest their taste, personality or achievements. This one shows nymphs supporting two coats of arms above a sun-dial bearing the inscription ‘tempus fugit irreparabile’ (‘time flies and cannot be retrieved’). |
Associated objects |
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Bibliographic reference | Konstanty Brandel Muzeum Narodow w Warszawie, Galeria Szfuki Wspolczesnej. Warsaw Listopad- grudzien 1977. Prints cat no. 238 |
Collection | |
Accession number | E.1451-1993 |
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Record created | September 7, 2006 |
Record URL |
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