Image of Gallery in South Kensington
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A Brazilian Sedan Chair and a person begging for the Church

Print
ca. 1820 (made)
Artist/Maker
Place of origin

This print entered the collections of the V&A Museum as part of a group of ‘illustrations of carriages’ in 1860. It depicts a white woman carried in an elaborate sedan chair by two black liveried servants. The party pauses as a man approaches seeking donations for the church. The setting is a street scene, probably a town or city in Brazil. Brazil imported more enslaved African people than any other colony in the Americas. Unlike other colonies where most Africans were confined to manual labour on plantations, in Brazil many worked in urban occupations, including as domestic servants.

Images of the New World became available to the European public through the publication of travel narratives by Spanish, French, English, Portuguese, Italian and Dutch explorers from the 16th century. Many were accompanied by illustrations, often based on first hand observations. Hugely popular, these illustrations were widely copied during the 17th and 18th centuries.


Object details

Categories
Object type
TitleA Brazilian Sedan Chair and a person begging for the Church (assigned by artist)
Materials and techniques
Lithograph
Brief description
'A Brazilian Sedan Chair and a person begging for the Church', print depicting white woman carried in sedan chair by two black liveried servants, stopped by man collecting for the church
Physical description
Print depicts a white woman carried in elaborate sedan chair (or litter) by two black liveried servants, stopped by man collecting for the church. Street scene in Brazil.
Dimensions
  • Height: 17.9cm
  • Width: 21.6cm
Marks and inscriptions
At bottom: 'A BRAZILIAN SEDAN CHAIR. & A PERSON BEGGING FOR THE CHURCH' Bottom left: 'On stone by C. Shoosmith from a sketch by Jas. Henderson Bottom right: 'Printed by Hullmandel.'
Subjects depicted
Place depicted
Summary
This print entered the collections of the V&A Museum as part of a group of ‘illustrations of carriages’ in 1860. It depicts a white woman carried in an elaborate sedan chair by two black liveried servants. The party pauses as a man approaches seeking donations for the church. The setting is a street scene, probably a town or city in Brazil. Brazil imported more enslaved African people than any other colony in the Americas. Unlike other colonies where most Africans were confined to manual labour on plantations, in Brazil many worked in urban occupations, including as domestic servants.

Images of the New World became available to the European public through the publication of travel narratives by Spanish, French, English, Portuguese, Italian and Dutch explorers from the 16th century. Many were accompanied by illustrations, often based on first hand observations. Hugely popular, these illustrations were widely copied during the 17th and 18th centuries.
Collection
Accession number
19420

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Record createdAugust 30, 2006
Record URL
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