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A Negro hung alive by the ribs to a gallows
Print
1796 (made)
1796 (made)
Artist/Maker | |
Place of origin |
The Dutch captured the British colony of Suriname during the Second Anglo-Dutch War (1667). Under the West India Company it was developed as a plantation slave society and became a primary destination for the Dutch slave trade. The brutal regime caused high mortality; despite the import of 300,000 slaves between 1668 and 1823, the population never grew beyond 50,000. 'Maroonage' became the major form of resistance. Fugitive slaves, or 'maroons', escaped inland to form permanent communities from where they waged a campaign of guerrilla warfare against the Dutch.
In 1774 the Scottish-Dutch soldier John Gabriel Stedman witnessed the brutal oppression of slaves during a campaign against the maroons, which he described in his Narrative of a Five Years Expedition Against the Revolted Negroes of Surinam. The book, which included illustrations by William Blake, was adopted by those who advocated the abolition of the slave trade, though Stedman was thought to support reform rather than abolition.
This gruesome image by Blake shows a slave suspended to a gallows by means of a hook through his ribs. Stedman’s Narrative recounts that the slave was left to die slowly but did so without complaint. His stoicism underlines the horror of the scene, heightened further by the skulls and the slave ship just visible on the horizon.
In 1774 the Scottish-Dutch soldier John Gabriel Stedman witnessed the brutal oppression of slaves during a campaign against the maroons, which he described in his Narrative of a Five Years Expedition Against the Revolted Negroes of Surinam. The book, which included illustrations by William Blake, was adopted by those who advocated the abolition of the slave trade, though Stedman was thought to support reform rather than abolition.
This gruesome image by Blake shows a slave suspended to a gallows by means of a hook through his ribs. Stedman’s Narrative recounts that the slave was left to die slowly but did so without complaint. His stoicism underlines the horror of the scene, heightened further by the skulls and the slave ship just visible on the horizon.
Object details
Categories | |
Object type | |
Title | A Negro hung alive by the ribs to a gallows (generic title) |
Materials and techniques | Engraving and etching on paper |
Brief description | 'A Negro hung alive by the ribs to a gallows', print by William Blake, 1796 |
Physical description | Print depicts a black man suspended by means of a hook through his ribs, from a gallows. Skulls and human bones in the foreground, a ship sailing in the distance. |
Dimensions |
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Marks and inscriptions | Bottom right, the signature, Blake Sculpt. |
Object history | NB The term "negro" was used historically to describe people of black African heritage but, since the 1960s, has fallen from usage and, increasingly, is considered offensive. The term is repeated here in its original historical context. |
Subjects depicted | |
Summary | The Dutch captured the British colony of Suriname during the Second Anglo-Dutch War (1667). Under the West India Company it was developed as a plantation slave society and became a primary destination for the Dutch slave trade. The brutal regime caused high mortality; despite the import of 300,000 slaves between 1668 and 1823, the population never grew beyond 50,000. 'Maroonage' became the major form of resistance. Fugitive slaves, or 'maroons', escaped inland to form permanent communities from where they waged a campaign of guerrilla warfare against the Dutch. In 1774 the Scottish-Dutch soldier John Gabriel Stedman witnessed the brutal oppression of slaves during a campaign against the maroons, which he described in his Narrative of a Five Years Expedition Against the Revolted Negroes of Surinam. The book, which included illustrations by William Blake, was adopted by those who advocated the abolition of the slave trade, though Stedman was thought to support reform rather than abolition. This gruesome image by Blake shows a slave suspended to a gallows by means of a hook through his ribs. Stedman’s Narrative recounts that the slave was left to die slowly but did so without complaint. His stoicism underlines the horror of the scene, heightened further by the skulls and the slave ship just visible on the horizon. |
Associated objects |
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Bibliographic reference | Wood, Marcus. Blind Memory: Visual representations of slavery in England and America, 1780-1865. Manchester: Manchester University Press, 2000. pp.38-40, p.39 (ill) |
Collection | |
Accession number | E.1215A-1886 |
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Record created | August 24, 2006 |
Record URL |
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