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The Quato & Saccawinkee Monkeys

Print
1796 (made)
Artist/Maker
Place of origin

The Dutch captured the British colony of Suriname during the Second Anglo-Dutch War (1667). Under the West India Company it was developed as a plantation slave society and became a primary destination for the Dutch slave trade. The brutal regime caused high mortality; despite the import of 300,000 slaves between 1668 and 1823, the population never grew beyond 50,000. ‘Maroonage’ became the major form of resistance. Fugitive slaves, or ‘maroons’, escaped inland to form permanent communities from where they waged a campaign of guerrilla warfare against the Dutch.

In 1774 the Scottish-Dutch soldier John Gabriel Stedman witnessed the brutal oppression of slaves during a campaign against the maroons, which he described in his Narrative of a Five Years Expedition Against the Revolted Negroes of Surinam. The book, which included illustrations by William Blake, was adopted by those who advoated the abolition of the slave trade, though Stedman was thought to support reform rather than abolition.

This image by Blake of a group of monkeys in a tree – and a similar image 'The Mecco and Kishee Kishee Monkeys' (museum number E.1215J-1886) - stand out amongst Blake’s illustrations for Stedman’s Narrative; the majority of which take the activities of the slave population as their subject. It is possible that Blake may have intended the monkeys to have satirical intent.

Object details

Categories
Object type
TitleThe Quato & Saccawinkee Monkeys (assigned by artist)
Materials and techniques
Engraving and etching on paper
Brief description
'The Quato & Saccawinkee Monkeys', print by William Blake, 1796
Physical description
Print depicts a group of four monkeys on a tall tree next to a river in a tropical landscape. The group appears to be formed of two pairs of different monkey species.
Dimensions
  • Height: 19.4cm
  • Width: 14.3cm
Marks and inscriptions
Bottom right: Blake Sculpt.
Object history
NB: The term "negro" was used historically to describe people of black African heritage but, since the 1960s, has fallen from usage and, increasingly, is considered offensive. The term is repeated here in its original historical context.
Subjects depicted
Summary
The Dutch captured the British colony of Suriname during the Second Anglo-Dutch War (1667). Under the West India Company it was developed as a plantation slave society and became a primary destination for the Dutch slave trade. The brutal regime caused high mortality; despite the import of 300,000 slaves between 1668 and 1823, the population never grew beyond 50,000. ‘Maroonage’ became the major form of resistance. Fugitive slaves, or ‘maroons’, escaped inland to form permanent communities from where they waged a campaign of guerrilla warfare against the Dutch.

In 1774 the Scottish-Dutch soldier John Gabriel Stedman witnessed the brutal oppression of slaves during a campaign against the maroons, which he described in his Narrative of a Five Years Expedition Against the Revolted Negroes of Surinam. The book, which included illustrations by William Blake, was adopted by those who advoated the abolition of the slave trade, though Stedman was thought to support reform rather than abolition.

This image by Blake of a group of monkeys in a tree – and a similar image 'The Mecco and Kishee Kishee Monkeys' (museum number E.1215J-1886) - stand out amongst Blake’s illustrations for Stedman’s Narrative; the majority of which take the activities of the slave population as their subject. It is possible that Blake may have intended the monkeys to have satirical intent.
Associated objects
Collection
Accession number
E.1215B-1886

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Record createdAugust 24, 2006
Record URL
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