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The Forest in Poland (Karnkowo)

Print
ca. 1913 (made)
Artist/Maker
Place of origin

Although he spent most of his adult life living in Paris, the painter and graphic artist Konstanty Brandel often visited his native Poland and continued to consider himself a Polish artist. His work may be described as Symbolist and has much in common with that of figures such as Odilon Redon and Gustave Doré, although Hieronymus Bosch, Giovanni Battista Piranesi and Francisco de Goya have also been cited as possible influences.

Brandel’s imagery often includes architecture or disturbing landscapes. Both are frequently inhabited by men, women and animals engaged in strange or ritualistic behaviour and sometimes endowed with supernatural powers such as the ability to float or fly. Even when devoid of human or animal life, Brandel’s landscapes are often disturbing and eerie, as in this view of the edge of a forest, which suggests darkness and impenetrability beyond its leafy exterior.


Object details

Categories
Object type
TitleThe Forest in Poland (Karnkowo) (assigned by artist)
Materials and techniques
Drypoint
Brief description
Konstanty Brandel: 'La Forêt en Pologne (Karnkowo) [The Forest in Poland (Karnkowo)], drypoint, 1913.
Physical description
Scene of thick forest of mostly pine trees, viewed from outside. Quite lightly drawn.
Dimensions
  • Plate height: 18.3cm
  • Plate width: 25.6cm
  • Sheet height: 25.1cm
  • Sheet width: 33.2cm
Style
Production typeLimited edition
Copy number
4/50
Marks and inscriptions
  • Brandel (Signature, very tiny, in pencil, just below plate on right.)
  • 4 -50 (Number of edition in pencil below plate on left.)
Credit line
Given by the artist’s uncle, Witold Leitgeber
Subject depicted
Summary
Although he spent most of his adult life living in Paris, the painter and graphic artist Konstanty Brandel often visited his native Poland and continued to consider himself a Polish artist. His work may be described as Symbolist and has much in common with that of figures such as Odilon Redon and Gustave Doré, although Hieronymus Bosch, Giovanni Battista Piranesi and Francisco de Goya have also been cited as possible influences.

Brandel’s imagery often includes architecture or disturbing landscapes. Both are frequently inhabited by men, women and animals engaged in strange or ritualistic behaviour and sometimes endowed with supernatural powers such as the ability to float or fly. Even when devoid of human or animal life, Brandel’s landscapes are often disturbing and eerie, as in this view of the edge of a forest, which suggests darkness and impenetrability beyond its leafy exterior.
Associated objects
Bibliographic reference
Konstanty Brandel Muzeum Narodow w Warszawie, Galeria Szfuki Wspolczesnej. Warsaw Listopad- grudzien 1977. Prints cat no. 68
Collection
Accession number
E.1443-1993

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Record createdAugust 24, 2006
Record URL
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