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The Skinning of the Aboma Snake, shot by Capt. Stedman

Print
1796 (made)
Artist/Maker
Place of origin

The Dutch captured the British colony of Suriname during the Second Anglo-Dutch War (1667). Under the West India Company it was developed as a plantation slave society and became a primary destination for the Dutch slave trade. The brutal regime caused high mortality; despite the import of 300,000 slaves between 1668 and 1823, the population never grew beyond 50,000. ‘Maroonage’ became the major form of resistance. Fugitive slaves, or ‘maroons’, escaped inland to form permanent communities from where they waged a campaign of guerrilla warfare against the Dutch.

In 1774 the Scottish-Dutch soldier John Gabriel Stedman witnessed the brutal oppression of slaves during a campaign against the maroons, which he described in his Narrative of a Five Years Expedition Against the Revolted Negroes of Surinam. The book, which included illustrations by William Blake, was adopted by those who advocated the abolition of the slave trade, though Stedman was thought to support reform rather than abolition.

This image by Blake shows a black slave, named in Stedman's text as David, climbing up a huge boa constrictor in order to begin skinning the snake. The figure in the lower left is probably Stedman.

Object details

Categories
Object type
TitleThe Skinning of the Aboma Snake, shot by Capt. Stedman (assigned by artist)
Materials and techniques
Engraving
Brief description
'The Skinning of the Aboma Snake, shot by Capt. Stedman', print by William Blake, 1796
Physical description
Print depicting a black slave, named as David in Stedman's text, climbing up a huge boa constrictor hanging from a tree in order to begin skinning the snake. The figure in the lower left is probably Capt. Stedman. Two other naked, black slaves are pulling on a rope to hold the snake upright on the tree while it is being skinned by David. There is a long bayonet resting on the tree trunk. There are plants and trees in the background, as well as a small boat in the river.
Dimensions
  • Height: 19.4cm
  • Width: 14.3cm
Marks and inscriptions
Bottom right: Blake Sculpt.
Object history
NB: The term "negro" was used historically to describe people of black African heritage but, since the 1960s, has fallen from usage and, increasingly, is considered offensive. The term is repeated here in its original historical context.
Subjects depicted
Place depicted
Summary
The Dutch captured the British colony of Suriname during the Second Anglo-Dutch War (1667). Under the West India Company it was developed as a plantation slave society and became a primary destination for the Dutch slave trade. The brutal regime caused high mortality; despite the import of 300,000 slaves between 1668 and 1823, the population never grew beyond 50,000. ‘Maroonage’ became the major form of resistance. Fugitive slaves, or ‘maroons’, escaped inland to form permanent communities from where they waged a campaign of guerrilla warfare against the Dutch.

In 1774 the Scottish-Dutch soldier John Gabriel Stedman witnessed the brutal oppression of slaves during a campaign against the maroons, which he described in his Narrative of a Five Years Expedition Against the Revolted Negroes of Surinam. The book, which included illustrations by William Blake, was adopted by those who advocated the abolition of the slave trade, though Stedman was thought to support reform rather than abolition.

This image by Blake shows a black slave, named in Stedman's text as David, climbing up a huge boa constrictor in order to begin skinning the snake. The figure in the lower left is probably Stedman.
Associated objects
Collection
Accession number
E.1215I-1886

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Record createdAugust 24, 2006
Record URL
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