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The Mecco and Kishee Kishee Monkeys
Print
1796 (made)
1796 (made)
Artist/Maker | |
Place of origin |
The Dutch captured the British colony of Suriname during the Second Anglo-Dutch War (1667). Under the West India Company it was developed as a plantation slave society and became a primary destination for the Dutch slave trade. The brutal regime caused high mortality; despite the import of 300,000 slaves between 1668 and 1823, the population never grew beyond 50,000. ‘Maroonage’ became the major form of resistance. Fugitive slaves, or ‘maroons’, escaped inland to form permanent communities from where they waged a campaign of guerrilla warfare against the Dutch.
In 1774 the Scottish-Dutch soldier John Gabriel Stedman witnessed the brutal oppression of slaves during a campaign against the maroons, which he described in his Narrative of a Five Years Expedition Against the Revolted Negroes of Surinam. The book, which included illustrations by William Blake, was adopted by those who advocated the abolition of the slave trade, though Stedman was thought to support reform rather than abolition.
This image by Blake of a group of monkeys in a tree – and a similar image 'The Quato & Saccawinkee Monkeys' (museum number E.1215B-1886) - stand out amongst Blake’s illustrations for Stedman’s Narrative; the majority of which take the activities of the slave population as their subject. It is possible that Blake may have intended the monkeys to have satirical intent.
In 1774 the Scottish-Dutch soldier John Gabriel Stedman witnessed the brutal oppression of slaves during a campaign against the maroons, which he described in his Narrative of a Five Years Expedition Against the Revolted Negroes of Surinam. The book, which included illustrations by William Blake, was adopted by those who advocated the abolition of the slave trade, though Stedman was thought to support reform rather than abolition.
This image by Blake of a group of monkeys in a tree – and a similar image 'The Quato & Saccawinkee Monkeys' (museum number E.1215B-1886) - stand out amongst Blake’s illustrations for Stedman’s Narrative; the majority of which take the activities of the slave population as their subject. It is possible that Blake may have intended the monkeys to have satirical intent.
Object details
Categories | |
Object type | |
Title | The Mecco and Kishee Kishee Monkeys (assigned by artist) |
Materials and techniques | Engraving |
Brief description | 'The Mecco and Kishee Kishee Monkeys', print by William Blake, 1796 |
Physical description | Print depicting group of five monkeys playing in a tree next to a lake or river on which a man rows a boat. They appear to be pairs of two different species of monkey. One of them has a young monkey on her back. |
Dimensions |
|
Marks and inscriptions | Bottom right:
Blake Sculpt. |
Object history | NB: The term "negro" was used historically to describe people of black African heritage but, since the 1960s, has fallen from usage and, increasingly, is considered offensive. The term is repeated here in its original historical context. |
Subjects depicted | |
Summary | The Dutch captured the British colony of Suriname during the Second Anglo-Dutch War (1667). Under the West India Company it was developed as a plantation slave society and became a primary destination for the Dutch slave trade. The brutal regime caused high mortality; despite the import of 300,000 slaves between 1668 and 1823, the population never grew beyond 50,000. ‘Maroonage’ became the major form of resistance. Fugitive slaves, or ‘maroons’, escaped inland to form permanent communities from where they waged a campaign of guerrilla warfare against the Dutch. In 1774 the Scottish-Dutch soldier John Gabriel Stedman witnessed the brutal oppression of slaves during a campaign against the maroons, which he described in his Narrative of a Five Years Expedition Against the Revolted Negroes of Surinam. The book, which included illustrations by William Blake, was adopted by those who advocated the abolition of the slave trade, though Stedman was thought to support reform rather than abolition. This image by Blake of a group of monkeys in a tree – and a similar image 'The Quato & Saccawinkee Monkeys' (museum number E.1215B-1886) - stand out amongst Blake’s illustrations for Stedman’s Narrative; the majority of which take the activities of the slave population as their subject. It is possible that Blake may have intended the monkeys to have satirical intent. |
Associated objects |
|
Collection | |
Accession number | E.1215J-1886 |
About this object record
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Record created | August 24, 2006 |
Record URL |
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