Les Deux Têtes (The Artist and his Muse)
Print
1913 (made)
1913 (made)
Artist/Maker | |
Place of origin |
Although he spent most of his adult life living in Paris, the painter and graphic artist Konstanty Brandel often visited his native Poland and continued to consider himself a Polish artist. His work may be described as Symbolist and has much in common with that of figures such as Odilon Redon and Gustave Doré, although Hieronymus Bosch, Giovanni Battista Piranesi and Francisco de Goya have also been cited as possible influences.
Brandel’s imagery often includes architecture or disturbing landscapes. Both are frequently inhabited by men, women and animals engaged in strange or ritualistic behaviour and sometimes endowed with supernatural powers such as the ability to float or fly. Less frequently he made portraits, some of which, like this one, were self-portraits with his muse.
Brandel’s imagery often includes architecture or disturbing landscapes. Both are frequently inhabited by men, women and animals engaged in strange or ritualistic behaviour and sometimes endowed with supernatural powers such as the ability to float or fly. Less frequently he made portraits, some of which, like this one, were self-portraits with his muse.
Object details
Categories | |
Object type | |
Title | Les Deux Têtes (The Artist and his Muse) (assigned by artist) |
Materials and techniques | Etching |
Brief description | Konstanty Brandel: 'Les Deux Têtes', drypoint, 1913. |
Physical description | The heads almost in profile, of a male and a female figure, facing each other, the male rather satyr-like in appearance and looks rather like a self portrait. very faintly drawn on the plate, could be a soft ground etching. |
Dimensions |
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Style | |
Production type | Limited edition |
Marks and inscriptions |
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Credit line | Given by the artist’s uncle, Witold Leitgeber |
Subjects depicted | |
Summary | Although he spent most of his adult life living in Paris, the painter and graphic artist Konstanty Brandel often visited his native Poland and continued to consider himself a Polish artist. His work may be described as Symbolist and has much in common with that of figures such as Odilon Redon and Gustave Doré, although Hieronymus Bosch, Giovanni Battista Piranesi and Francisco de Goya have also been cited as possible influences. Brandel’s imagery often includes architecture or disturbing landscapes. Both are frequently inhabited by men, women and animals engaged in strange or ritualistic behaviour and sometimes endowed with supernatural powers such as the ability to float or fly. Less frequently he made portraits, some of which, like this one, were self-portraits with his muse. |
Associated objects |
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Bibliographic reference | Konstanty Brandel Muzeum Narodow w Warszawie, Galeria Szfuki Wspolczesnej. Warsaw Listopad- grudzien 1977. Prints cat no. 56 |
Collection | |
Accession number | E.1440-1993 |
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Record created | August 24, 2006 |
Record URL |
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