Not currently on display at the V&A

Bettina Miss Eva McFarlane La Mascotte

Costume Design
1907 (designed)
Artist/Maker
Place of origin

Costume design by Wilhelm for Eva McFarlane as Bettina in the fifth divertissement of the first edition of the The Belle of the Ball, inspired by Audran’s La Mascotte, as performed at the Empire Theatre, 30 September 1907.

The Belle of the Ball was a successful ballet divertissement described as ‘An Episode of Covent Garden’ produced by Wilhelm and Fred Farren at the Empire Theatre, Leicester Square, London, on 30 September 1907. Wilhelm also designed the costumes and Farren was responsible for the dances and action, although the solo dances were essentially choreographed by the dancers themselves. The programme claimed Adeline Genée’s dances were choreographed by her uncle, Alexander, although she was probably responsible for them herself. The ballet was set to ‘A Terpsichorean Pot-pouri of Popular Melodies, past and present’ selected and arranged by Cuthbert Clarke. It is set in Covent Garden Market early in the morning: after the scene is established revellers from a fancy dress ball re-enact scenes from light operas. Eva McFarlane played Alma Egerton, 'a popular actress', who takes the role of Bettina in the fifth divertissement. After Adeline Genée’s departure for the USA a second edition, in which five of the eight operetta-divertissements were changed, was first performed on 30 December 1907. This version was led by Topsy Sinden (a step dancer rather than a classical ballerina) as Trixy Fay. An abridged version Covent Garden. Episodes from The Belle of the Ball was presented with Zanfretta in the lead from 21 July 1908.

The designer Wilhelm (William Charles Pitcher RI, 1858-1925) was one of the most inventive and prolific late 19th century costume designers, whose early passion for stage spectacle led to his employment designing pantomime costumes for Drury Lane Theatre. His attention to detail and his ability to create visually stunning and decorative costumes appealed to producers and public alike and led to a constant stream of work.


Object details

Categories
Object type
TitleBettina Miss Eva McFarlane La Mascotte (assigned by artist)
Materials and techniques
Watercolour over pen and Indian ink drawing
Brief description
Costume design by Wilhelm for Eva McFarlane as Bettina in the fifth divertissement of the first edition of the The Belle of the Ball, inspired by Audran’s La Mascotte, as performed at the Empire Theatre, 30 September 1907
Physical description
Costume design for Eva McFarlane as Bettina in the fifth divertissement of the first edition of the The Belle of the Ball.
Dimensions
  • Height: 22.1cm
  • Width: 14.6cm
Marks and inscriptions
  • Transliteration
Credit line
Bequeathed by Alex Martin
Subject depicted
Summary
Costume design by Wilhelm for Eva McFarlane as Bettina in the fifth divertissement of the first edition of the The Belle of the Ball, inspired by Audran’s La Mascotte, as performed at the Empire Theatre, 30 September 1907.

The Belle of the Ball was a successful ballet divertissement described as ‘An Episode of Covent Garden’ produced by Wilhelm and Fred Farren at the Empire Theatre, Leicester Square, London, on 30 September 1907. Wilhelm also designed the costumes and Farren was responsible for the dances and action, although the solo dances were essentially choreographed by the dancers themselves. The programme claimed Adeline Genée’s dances were choreographed by her uncle, Alexander, although she was probably responsible for them herself. The ballet was set to ‘A Terpsichorean Pot-pouri of Popular Melodies, past and present’ selected and arranged by Cuthbert Clarke. It is set in Covent Garden Market early in the morning: after the scene is established revellers from a fancy dress ball re-enact scenes from light operas. Eva McFarlane played Alma Egerton, 'a popular actress', who takes the role of Bettina in the fifth divertissement. After Adeline Genée’s departure for the USA a second edition, in which five of the eight operetta-divertissements were changed, was first performed on 30 December 1907. This version was led by Topsy Sinden (a step dancer rather than a classical ballerina) as Trixy Fay. An abridged version Covent Garden. Episodes from The Belle of the Ball was presented with Zanfretta in the lead from 21 July 1908.

The designer Wilhelm (William Charles Pitcher RI, 1858-1925) was one of the most inventive and prolific late 19th century costume designers, whose early passion for stage spectacle led to his employment designing pantomime costumes for Drury Lane Theatre. His attention to detail and his ability to create visually stunning and decorative costumes appealed to producers and public alike and led to a constant stream of work.
Collection
Accession number
S.3472-2013

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Record createdAugust 21, 2013
Record URL
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