Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case EW, Shelf 154

Print

1920-1940 (made)
Artist/Maker
Place of origin

This print is part of a collection of proofs of woodcut and linocuts by Haydn Mackey which represents a varied range of the artists work including magazine and music sheet covers, posters and fine prints. Haydn Reynolds Mackey (1883-1979) was a book illustrator and printmaker whose print work consisted of strongly coloured linocuts and woodcuts. Contrary to their appearance the images were hand-coloured. To achieve the appearance of coloured printing Mackay used an interesting technique, hand colouring the image in opaque oil paint on the reverse of the transparent tracing paper on which the image was printed. He then applied the proof to an oatmeal backing paper with the painted side down. Mackay’s prints were never published on a large scale.


Object details

Categories
Object type
Materials and techniques
Linocut, hand-coloured in oil paint
Brief description
Linocut by Haydn Mackey. Woman and a pig in sheets. Hand-coloured in blue and brown.
Physical description
A woman and a pig wrapped in blue sheets, in blue, black and brown.
Dimensions
  • Sheet height: 50.8cm
  • Sheet width: 31.6cm
  • Image height: 26.7cm
  • Image width: 17.5cm
Style
Production typeLimited edition
Marks and inscriptions
  • 3/25 (In pencil, lower left)
  • Haydn Mackey (Signed in red crayon, lower right)
  • hM (artist's monogram, upper left)
Subjects depicted
Summary
This print is part of a collection of proofs of woodcut and linocuts by Haydn Mackey which represents a varied range of the artists work including magazine and music sheet covers, posters and fine prints. Haydn Reynolds Mackey (1883-1979) was a book illustrator and printmaker whose print work consisted of strongly coloured linocuts and woodcuts. Contrary to their appearance the images were hand-coloured. To achieve the appearance of coloured printing Mackay used an interesting technique, hand colouring the image in opaque oil paint on the reverse of the transparent tracing paper on which the image was printed. He then applied the proof to an oatmeal backing paper with the painted side down. Mackay’s prints were never published on a large scale.
Collection
Accession number
E.187-2014

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Record createdAugust 19, 2013
Record URL
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