Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case EW, Shelf 154

Print

1910-1935 (made)
Artist/Maker
Place of origin

This print is part of a collection of proofs of woodcut and linocuts by Haydn Mackey which represents a varied range of the artists work including magazine and music sheet covers, posters and fine prints. Haydn Reynolds Mackey (1883-1979) was a book illustrator and printmaker whose print work consisted of strongly coloured linocuts and woodcuts. Contrary to their appearance the images were hand-coloured. To achieve the appearance of coloured printing Mackay used an interesting technique, hand colouring the image in opaque oil paint on the reverse of the transparent tracing paper on which the image was printed. He then applied the proof to an oatmeal backing paper with the painted side down. Mackay’s prints were never published on a large scale.


Object details

Categories
Object type
Materials and techniques
Linocut
Brief description
Linocut, with hand-colouring applied as a wash in green, blue and red, by Haydn Mackey. Dead soldiers and horses in a field with Death.
Physical description
Dead soldiers and horses in a field, with Death represented as a skeleton in the clouds in the sky. Sky is green-blue and pinkish red, and foreground is blue.
Dimensions
  • Backing sheet height: 31.7cm
  • Backing sheet width: 50.7cm
  • Sheet height: 20cm
  • Sheet width: 21.3cm
  • Image height: 18cm
  • Image width: 20.5cm
Style
Production typeLimited edition
Marks and inscriptions
  • 1/25 (In pencil lower left)
  • Haydn Mackey (Signed lower right in red pencil)
Subjects depicted
Summary
This print is part of a collection of proofs of woodcut and linocuts by Haydn Mackey which represents a varied range of the artists work including magazine and music sheet covers, posters and fine prints. Haydn Reynolds Mackey (1883-1979) was a book illustrator and printmaker whose print work consisted of strongly coloured linocuts and woodcuts. Contrary to their appearance the images were hand-coloured. To achieve the appearance of coloured printing Mackay used an interesting technique, hand colouring the image in opaque oil paint on the reverse of the transparent tracing paper on which the image was printed. He then applied the proof to an oatmeal backing paper with the painted side down. Mackay’s prints were never published on a large scale.
Associated object
E.176-2014 (Prototype)
Collection
Accession number
E.177-2014

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdAugust 19, 2013
Record URL
Download as: JSON