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Print

1933 (made)
Artist/Maker
Place of origin

This print is part of a collection of proofs of woodcut and linocuts by Haydn Mackey which represents a varied range of the artists work including magazine and music sheet covers, posters and fine prints. Haydn Reynolds Mackey (1883-1979) was a book illustrator and printmaker whose print work consisted of strongly coloured linocuts and woodcuts. Contrary to their appearance the images were hand-coloured. To achieve the appearance of coloured printing Mackay used an interesting technique, hand colouring the image in opaque oil paint on the reverse of the transparent tracing paper on which the image was printed. He then applied the proof to an oatmeal backing paper with the painted side down. Mackay’s prints were never published on a large scale.


Object details

Categories
Object type
Materials and techniques
Linocut
Brief description
Linocut by Haydn Mackey. Poster for 'Clancarty' at Winter Garden Theatre, in black, brown and red; British, 1933.
Physical description
Close-up of a man and woman. The man wears a red coat, brown wig and cravat, and a woman is in a cloak and wide-brimmed feather hat. Behind them two the right are two rough-looking men.
Dimensions
  • Height: 76.5cm
  • Width: 50.3cm
Style
Marks and inscriptions
  • WINTER GARDEN / THEATRE / DRURY LANE. W.C.2 / LICENSEE:- WILLIAM COOPER. (Top)
  • Haydn Mackey. 1933 (Lower centre)
  • ENID CRUICKSHANK DALE SMITH (Lower centre)
  • CLANCARTY (Top)
Subjects depicted
Summary
This print is part of a collection of proofs of woodcut and linocuts by Haydn Mackey which represents a varied range of the artists work including magazine and music sheet covers, posters and fine prints. Haydn Reynolds Mackey (1883-1979) was a book illustrator and printmaker whose print work consisted of strongly coloured linocuts and woodcuts. Contrary to their appearance the images were hand-coloured. To achieve the appearance of coloured printing Mackay used an interesting technique, hand colouring the image in opaque oil paint on the reverse of the transparent tracing paper on which the image was printed. He then applied the proof to an oatmeal backing paper with the painted side down. Mackay’s prints were never published on a large scale.
Associated object
E.175-2014 (Original)
Collection
Accession number
E.174-2014

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Record createdAugust 19, 2013
Record URL
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