Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case EW, Shelf 154

Print

1925-1945 (made)
Artist/Maker
Place of origin

This print is part of a collection of proofs of woodcut and linocuts by Haydn Mackey which represents a varied range of the artists work including magazine and music sheet covers, posters and fine prints. Haydn Reynolds Mackey (1883-1979) was a book illustrator and printmaker whose print work consisted of strongly coloured linocuts and woodcuts. Contrary to their appearance the images were hand-coloured. To achieve the appearance of coloured printing Mackay used an interesting technique, hand colouring the image in opaque oil paint on the reverse of the transparent tracing paper on which the image was printed. He then applied the proof to an oatmeal backing paper with the painted side down. Mackay’s prints were never published on a large scale.


Object details

Category
Object type
Materials and techniques
Linocut
Brief description
Linocut by Haydn Mackey. Counter-proof?, printed in brown. Head and shoulders of a woman with dark hair.
Physical description
Head and shoulders of a woman with dark hair. Printed in brown ink. Image is the reversed version of the associated proof E.200-2014. Headband added later is indicated in this proof in pencil(?).
Dimensions
  • Sheet, irregular height: 28.3cm (max) (Note: folded over and attached to backing sheet)
  • Sheet, irregular width: 22cm (max) (Note: folded over and attached to backing sheet)
  • Image height: 22.5cm (max)
  • Image width: 15cm (max)
  • Backing sheet height: 25.7cm
  • Bakcing sheet width: 20.3cm
Style
Production typeArtist's proof
Subjects depicted
Summary
This print is part of a collection of proofs of woodcut and linocuts by Haydn Mackey which represents a varied range of the artists work including magazine and music sheet covers, posters and fine prints. Haydn Reynolds Mackey (1883-1979) was a book illustrator and printmaker whose print work consisted of strongly coloured linocuts and woodcuts. Contrary to their appearance the images were hand-coloured. To achieve the appearance of coloured printing Mackay used an interesting technique, hand colouring the image in opaque oil paint on the reverse of the transparent tracing paper on which the image was printed. He then applied the proof to an oatmeal backing paper with the painted side down. Mackay’s prints were never published on a large scale.
Associated object
E.199-2014 (Version)
Collection
Accession number
E.200-2014

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdAugust 19, 2013
Record URL
Download as: JSON