'The Fortune Teller' thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 139, The Curtain Foundation Gallery

'The Fortune Teller'

Figure Group
1840s (made)
Place of origin

Earthenware flatbacks and figurines for mantelpiece decoration were first produced in Staffordshire in the late 1830s, and the earliest datable Staffordshire figures appear to be those of Queen Victoria. Images of royalty proved lucrative and during the 1840s countless other royal figures were issued by Staffordshire pottery firms. Although some Staffordshire portrait figures were produced after Victoria's death in 1901, few appear to have been produced after 1905. During their heyday however they were made in vast numbers, usually modelled after prints. As well as the royal family they represented a wide variety of subjects, actors and actresses being especially popular.


Object details

Category
Object type
Title'The Fortune Teller' (manufacturer's title)
Materials and techniques
moulded earthenware, painted in enamel colours and gilded
Brief description
Figure group, 'The Fortune Teller', moulded earthenware, painted in enamel colours and gilded. Staffordshire, 1840s.
Physical description
Figure group of two women and a child in front of a tree, moulded earthenware, painted in enamel colours and gilded. Some peeling to the overglaze painting on front and back, branch of tree on front proper left is broken.
Dimensions
  • Whole height: 25.5cm
  • Whole width: 15.4cm
Credit line
Given by Julie and Robert Breckman
Summary
Earthenware flatbacks and figurines for mantelpiece decoration were first produced in Staffordshire in the late 1830s, and the earliest datable Staffordshire figures appear to be those of Queen Victoria. Images of royalty proved lucrative and during the 1840s countless other royal figures were issued by Staffordshire pottery firms. Although some Staffordshire portrait figures were produced after Victoria's death in 1901, few appear to have been produced after 1905. During their heyday however they were made in vast numbers, usually modelled after prints. As well as the royal family they represented a wide variety of subjects, actors and actresses being especially popular.
Bibliographic references
  • Gordon Pugh, P.D.: Staffordshire Portrait Figures of the Victorian Era (revised edition 1998), Woodbridge, 1998
  • Harding, A. & N.: Victorian Staffordshire Figures 1835-1875 Books One & Two, Atglen, 1998
Collection
Accession number
C.55-2013

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Record createdAugust 19, 2013
Record URL
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