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Oil painting - A woman holding a mirror and a rose
  • A woman holding a mirror and a rose
    Boughton, George Henry, born 1833 - died 1905
  • Enlarge image

A woman holding a mirror and a rose

  • Object:

    Oil painting

  • Place of origin:

    London (painted)

  • Date:

    ca.1880-1890 (painted)

  • Artist/Maker:

    Boughton, George Henry, born 1833 - died 1905 (painter (artist))

  • Materials and Techniques:

    Oil on millboard

  • Credit Line:

    Bequeathed by Henry Louis Florence

  • Museum number:

    P.58-1917

  • Gallery location:

    In Storage

Physical description

An oil painting of a young woman dressed in a flowing pink dress with red accessories, holding aloft a mirror and a rose.

Place of Origin

London (painted)

Date

ca.1880-1890 (painted)

Artist/maker

Boughton, George Henry, born 1833 - died 1905 (painter (artist))

Materials and Techniques

Oil on millboard

Marks and inscriptions

'G H B'
Signed by the artist

Dimensions

Height: 28.75 in estimate, Width: 15.875 in estimate, :

Object history note

Bequeathed by Henry L. Florence, 1916

Historical significance: A painter and illustrator, George Henry Boughton (1833-1905) was brought up in America, studied in Paris, and finally settled in London in 1862. He became an Associate of the Royal Academy in 1879 and a full member in 1896, and in 1879 he was elected a member of the Institute of Painters in Water Colours. Boughton painted landscapes, genre subjects, portraits and historical scenes; idealised and rather sentimental female figures were a typical aspect of his work.

This painting is probably to be identified with 'L'Allegra', a painting by Boughton which was lent by its then owner Henry Florence to the Whitechapel Fine Art exhibition of 1894 (no. 119). He also lent another painting, 'La Penserosa' (no. 151), which is probably P.57-1917. The theme has its origin in John Milton's poems 'L'Allegro' and 'Il Penseroso', on the subject of what we would now call the extrovert and the introvert character, and the particular pleasures enjoyed by each. In traditional flower symbolism, the rose held by the figure in 'L'Allegra' implies love, whilst the marguerite held by the figure in 'La Penserosa' symbolises innocence, purity, faith, cheer and simplicity.

Despite differences in scale, the common compositional aspects of the single female figure standing on flowery turf against a gold background strongly suggest that the paintings 'L'Allegra' and 'La Penserosa' are a pair. They were both originally made as decorative panels for a piece of furniture, from which they had been removed before arriving at the V&A.

These two paintings by Boughton were bequeathed to the V&A in 1916 by Henry L. Florence of Prince's Gate, South Kensington, London. The bequest also included paintings by Brangwyn, Clausen, Corot, Leighton and Fantin-Latour.

Descriptive line

Oil painting entitled 'A Woman Holding a Mirror and a Rose' by George Henry Boughton. Great Britain, ca.1880-1890.

Materials

Oil paint; Millboard

Techniques

Oil painting

Categories

Paintings

Collection

Prints, Drawings & Paintings Collection

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