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Not currently on display at the V&A

Vase

c.1880
Artist/Maker
Place of origin

The history of the Kinkozan firm extends back to the 17th century from their founding in the Awata suburb of Kyoto. By the fifth generation, during the mid 19th century, highly decorated cloisonné pieces had been introduced to the array of wares produced at the Kinkozan studio. These elaborate and extravagant wares had little appeal on the domestic market but were specifically designed for export. Many Kinkozan pieces were exhibited in international exhibitions such as Chicago in 1873, Paris in 1900, London in 1910 and the 5th National Exhibition in Tokyo in 1925.

Dating to around 1880, this vase illustrates the application of cloisonné enamels to a ceramic body. This was a relatively short-lived innovation and was not very popular possibly because the enamels appeared dull (compared with cloisonné on a copper body) and were liable to cracking or crazing.


Object details

Object type
Materials and techniques
Cloisonné enamel on ceramic body
Brief description
Cloisonné enamel on a ceramic vase, signed Kinkozan, Kyoto c.1880
Physical description
Cloisonné enamel on ceramic vase, decorated with flowers in cartouches including stylised chidori and fans; side panels with shishi holding fake handles and with surrounding pattern of butterflies.
Dimensions
  • Height: 19.5cm
  • Foot diameter: 8.5cm
Credit line
Purchased by the Edwin Davies Fund
Summary
The history of the Kinkozan firm extends back to the 17th century from their founding in the Awata suburb of Kyoto. By the fifth generation, during the mid 19th century, highly decorated cloisonné pieces had been introduced to the array of wares produced at the Kinkozan studio. These elaborate and extravagant wares had little appeal on the domestic market but were specifically designed for export. Many Kinkozan pieces were exhibited in international exhibitions such as Chicago in 1873, Paris in 1900, London in 1910 and the 5th National Exhibition in Tokyo in 1925.

Dating to around 1880, this vase illustrates the application of cloisonné enamels to a ceramic body. This was a relatively short-lived innovation and was not very popular possibly because the enamels appeared dull (compared with cloisonné on a copper body) and were liable to cracking or crazing.
Collection
Accession number
FE.58-2012

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Record createdJuly 3, 2013
Record URL
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