Interior Design Model
1953 (designed)
Artist/Maker | |
Place of origin |
Great Britain’s leading theatre designer from the early 1930s to the mid 1950s, Oliver Messel (1904-1978) won international acclaim for his lavish, painterly and poetic designs informed by period styles. His work spans ballet, drama, film, musical, opera and revue. Messel’s traditional style of theatre design became unfashionable from the mid 1950s onwards, and he increasingly concentrated on painting, interior and textile design, including designing luxury homes in the Caribbean.
In 1953, the Dorchester Hotel, London asked Messel to design a suite of rooms he would like to live in himself. The luxurious suite of rooms and penthouse became known as the ‘Oliver Messel Suite’. The suite and penthouse were restored in 1981 and continue to be in demand.
For the sitting room, Messel mixed seventeenth and eighteenth century antique furniture with his own designs inspired by period style, including a carpet depicting Leda and the Swan. Sekers, the silk manufacturer, produced floral chintz upholstery to his designs. The double bedroom has luxuriant yellow silk wallpaper, and is hung with original costume designs for Messel’s ballet Sleeping Beauty (1946). Flamboyantly, the mirror-lined bathroom features a shell-shaped gold lavatory cover and fittings. The fabrics were replaced by Fortuny fabrics during the 1981 restoration.
In 1953, the Dorchester Hotel, London asked Messel to design a suite of rooms he would like to live in himself. The luxurious suite of rooms and penthouse became known as the ‘Oliver Messel Suite’. The suite and penthouse were restored in 1981 and continue to be in demand.
For the sitting room, Messel mixed seventeenth and eighteenth century antique furniture with his own designs inspired by period style, including a carpet depicting Leda and the Swan. Sekers, the silk manufacturer, produced floral chintz upholstery to his designs. The double bedroom has luxuriant yellow silk wallpaper, and is hung with original costume designs for Messel’s ballet Sleeping Beauty (1946). Flamboyantly, the mirror-lined bathroom features a shell-shaped gold lavatory cover and fittings. The fabrics were replaced by Fortuny fabrics during the 1981 restoration.
Object details
Category | |
Object type | |
Materials and techniques | Wood, cardboard, fabric, and paint. |
Brief description | Model by Oliver Messel for the interior of the Dorchester Hotel Suite, 1953. |
Physical description | A model for the interior design of the Dorchester Hotel Suite, 1953. Consists of a sitting-room and single and double bedroom. Terrace with plants and seating leading off from the living room. Chintz upholstery and carpet designed by Messel. |
Dimensions |
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Production type | Model |
Credit line | Acquired with the support of the National Lottery Heritage Fund, Art Fund and the Friends of the V&A |
Object history | The Dorchester Hotel asked Messel to design a luxury apartment he would like to live in himself. The suite of rooms and penthouse became known as the ‘Oliver Messel Suite’, occupying the seventh and eighth floor of the hotel respectively. The silk manufacturer Sekers supplied fabrics for the chintz upholestry designed by Messel and Luforma Ltd. of Castle Northwick made carpets to Messel’s designs. He also designed an ornamental roof garden and fountain surmounted by Leda and the Swan for the penthouse suite. In 1956 Messel returned to the Dorchester Hotel, creating interior designs for the Pavilion Room. The designs for this room were inspired by Messel’s designs for The Magic Flute (1947). The Oliver Messel Suite was restored in 1981 by the Dorchester Hotel; the original fabrics were replaced with Fortuny fabrics. Lord Snowdon, Oliver Messel's nephew, inherited Messel's theatre designs and other designs and artefacts. The designs were briefly stored in a disused chapel in Kensington Palace before being housed at the V&A from 1981 on indefinite loan. The V&A Theatre Museum purchased the Oliver Messel collection from Lord Snowdon in 2005. Historical significance: Messel's most well known interior design and his largest decorative commission in London. |
Production | Reason For Production: Commission |
Summary | Great Britain’s leading theatre designer from the early 1930s to the mid 1950s, Oliver Messel (1904-1978) won international acclaim for his lavish, painterly and poetic designs informed by period styles. His work spans ballet, drama, film, musical, opera and revue. Messel’s traditional style of theatre design became unfashionable from the mid 1950s onwards, and he increasingly concentrated on painting, interior and textile design, including designing luxury homes in the Caribbean. In 1953, the Dorchester Hotel, London asked Messel to design a suite of rooms he would like to live in himself. The luxurious suite of rooms and penthouse became known as the ‘Oliver Messel Suite’. The suite and penthouse were restored in 1981 and continue to be in demand. For the sitting room, Messel mixed seventeenth and eighteenth century antique furniture with his own designs inspired by period style, including a carpet depicting Leda and the Swan. Sekers, the silk manufacturer, produced floral chintz upholstery to his designs. The double bedroom has luxuriant yellow silk wallpaper, and is hung with original costume designs for Messel’s ballet Sleeping Beauty (1946). Flamboyantly, the mirror-lined bathroom features a shell-shaped gold lavatory cover and fittings. The fabrics were replaced by Fortuny fabrics during the 1981 restoration. |
Associated object | S.227-2006 (Ensemble) |
Bibliographic reference | Pinkham, Roger (ed.) Oliver Messel, London, V&A, 1983
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Other number | ROT 8877 - TM Rotation Number |
Collection | |
Accession number | S.226-2006 |
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Record created | July 31, 2006 |
Record URL |
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