Earring
1860-1870 (made)
| Artist/Maker | |
| Place of origin |
Traditional jewellery often followed out-dated aristocratic examples. Many Portuguese and Spanish traditional earrings were based on 17th and 18th-century patterns, but over time local differences became fixed, and patterns became characteristic of a particular place.
This earring, called ‘a rainha’, comes from the north of Portugal. Its shape, of a pendant hanging from a stylised bow, derives from a late 17th-century design common throughout Europe. But a 17th-century earring would have had a pear-shaped drop. In Portugal the goldsmiths replaced it with a round crescent. This shape, which is used for traditional earrings throughout inland Spain and the north of Portugal, is very old, and may date back to the time of the Moorish occupation. This earring was bought for £1 10s (the pair) at the International Exhibition, London, 1872.
The name ‘a rainha’ means ‘of the queen’. Earrings of this design are still made today in the north of Portugal.
This earring, called ‘a rainha’, comes from the north of Portugal. Its shape, of a pendant hanging from a stylised bow, derives from a late 17th-century design common throughout Europe. But a 17th-century earring would have had a pear-shaped drop. In Portugal the goldsmiths replaced it with a round crescent. This shape, which is used for traditional earrings throughout inland Spain and the north of Portugal, is very old, and may date back to the time of the Moorish occupation. This earring was bought for £1 10s (the pair) at the International Exhibition, London, 1872.
The name ‘a rainha’ means ‘of the queen’. Earrings of this design are still made today in the north of Portugal.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Gold with filigree |
| Brief description | Gold earring (a rainha) with filigree decoration, Oporto (Portugal), 1860-1870. |
| Physical description | Gold filigree pendant earring. Oval disc attached to the wire, from which hangs a stylised bow supporting a circular disc with an eccentric space in the centre, so that it looks like a crescent moon. There is a small filigree triangle on the lower edge of the crescent, and a small rosette hangs in the central space. |
| Dimensions |
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| Marks and inscriptions |
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| Summary | Traditional jewellery often followed out-dated aristocratic examples. Many Portuguese and Spanish traditional earrings were based on 17th and 18th-century patterns, but over time local differences became fixed, and patterns became characteristic of a particular place. This earring, called ‘a rainha’, comes from the north of Portugal. Its shape, of a pendant hanging from a stylised bow, derives from a late 17th-century design common throughout Europe. But a 17th-century earring would have had a pear-shaped drop. In Portugal the goldsmiths replaced it with a round crescent. This shape, which is used for traditional earrings throughout inland Spain and the north of Portugal, is very old, and may date back to the time of the Moorish occupation. This earring was bought for £1 10s (the pair) at the International Exhibition, London, 1872. The name ‘a rainha’ means ‘of the queen’. Earrings of this design are still made today in the north of Portugal. |
| Collection | |
| Accession number | 1076-1873 |
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| Record created | July 31, 2006 |
| Record URL |
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