Trial Piece
1980 (made)
| Artist/Maker | |
| Place of origin |
Diana Hobson (born 1943) trained at the Royal College of Art (MA, Metals, 1973-76) and taught at Camberwell School of Arts between 1979-87. She now lives in California. She has travelled, taught and exhibited widely and won awards for her work which features in the permanent collections of a number of museums internationally.
During the 1970s Diana became interested in reviving the almost forgotten technique of pâte-de-verre which had been developed in France by Henri Cros (1840-1907) at the end of the nineteenth century. She produced fine semi-translucent vessels of press-moulded crushed glass fired at 700°C. The Museum has several examples of her finished work. Her presentation to the V&A of her experimental pieces in 2003-04 has furnished the Collection with an invaluable technical context and insight into the artist's methods.
During the 1970s Diana became interested in reviving the almost forgotten technique of pâte-de-verre which had been developed in France by Henri Cros (1840-1907) at the end of the nineteenth century. She produced fine semi-translucent vessels of press-moulded crushed glass fired at 700°C. The Museum has several examples of her finished work. Her presentation to the V&A of her experimental pieces in 2003-04 has furnished the Collection with an invaluable technical context and insight into the artist's methods.
Object details
| Category | |
| Object type | |
| Materials and techniques | Pâte-de-verre |
| Brief description | Trial piece, white pâte-de-verre convex leaf-shaped experimental piece with two raised ribs and coloured stripes, Diana Hobson, 1980 |
| Physical description | White pâte-de-verre convex leaf-shaped experimental piece with two raised ribs and coloured stripes. |
| Dimensions |
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| Credit line | Given by Diana Hobson |
| Production | One of three trial pieces made for the artist's original research into pâte-de-verre techniques which resulted in her 1981 thesis. |
| Summary | Diana Hobson (born 1943) trained at the Royal College of Art (MA, Metals, 1973-76) and taught at Camberwell School of Arts between 1979-87. She now lives in California. She has travelled, taught and exhibited widely and won awards for her work which features in the permanent collections of a number of museums internationally. During the 1970s Diana became interested in reviving the almost forgotten technique of pâte-de-verre which had been developed in France by Henri Cros (1840-1907) at the end of the nineteenth century. She produced fine semi-translucent vessels of press-moulded crushed glass fired at 700°C. The Museum has several examples of her finished work. Her presentation to the V&A of her experimental pieces in 2003-04 has furnished the Collection with an invaluable technical context and insight into the artist's methods. |
| Bibliographic references |
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| Collection | |
| Accession number | C.39-2013 |
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| Record created | March 18, 2013 |
| Record URL |
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