Locket thumbnail 1

Locket

1775-1800 (made)
Artist/Maker
Place of origin

Memorial jewellery to honour the dead is one of the largest categories of 18th- century jewellery to survive. Many mourning jewels have inscriptions that record the name and dates of the dead person.

From 1760 there was a new vogue for memorial medallions or lockets. These became especially popular in Britain, though similar work was produced throughout Europe.

The lockets could be bought ready made, and the designs were standardised. Neo-classical motifs of funerary urns, plinths and obelisks joined the more traditional cherubs, angels and weeping willows. Hair was preserved as curls within the locket, or cut up and used to create designs.

Object details

Categories
Object type
Materials and techniques
Engraved gold with enamel, ivory painted in watercolour with a miniature, gold wire and pearls
Brief description
Engraved gold frame decorated with enamel, ivory painted in watercolour with a miniature, embellished with gold wire and pearls, of a standing figure by a Tomb bearing the initials MM beneath a willow tree, England, 1775-1800
Physical description
Engraved gold frame decorated with enamel , ivory painted in watercolour with a miniature, embellished with gold wire and pearls, of a standing figure by a Tomb bearing the initials MM beneath a willow tree
Dimensions
  • Height: 5cm
  • Width: 2.8cm
  • Depth: 0.8cm
Marks and inscriptions
'MM' (Initialled)
Object history
Part of a group of memorial and mourning jewels bought from Dr Marco Guastalla, acting on behalf of 'an English lady residing in Italy' (museum numbers 846-1888 to 989-1888)
Subjects depicted
Summary
Memorial jewellery to honour the dead is one of the largest categories of 18th- century jewellery to survive. Many mourning jewels have inscriptions that record the name and dates of the dead person.

From 1760 there was a new vogue for memorial medallions or lockets. These became especially popular in Britain, though similar work was produced throughout Europe.

The lockets could be bought ready made, and the designs were standardised. Neo-classical motifs of funerary urns, plinths and obelisks joined the more traditional cherubs, angels and weeping willows. Hair was preserved as curls within the locket, or cut up and used to create designs.
Collection
Accession number
942-1888

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Record createdJuly 19, 2006
Record URL
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