Double circle (light blue) thumbnail 1
Double circle (light blue) thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 137, The Curtain Foundation Gallery

Double circle (light blue)

Ceramic Sculpture
2013 (made)
Artist/Maker
Place of origin

Ibrahim Said (b.1976) was born and raised in the district of Fustat, the most important centre for pottery production in Islamic Egypt. In these works (ME.5-2013 and ME.6-2013) Said takes inspiration from the huge number of unglazed ceramic water filters that were found during excavations of Fustat in the 19th century. Dating from 1000 to 1200 AD, these filters sat inside the necks of water jugs to prevent flies and dirt from falling into the water, and often featured geometric or figurative designs. Said celebrates this historic art form by incorporating their patterns into his innovative ceramic forms. He also uses glazes which reference the glaze colours traditionally used on medieval ceramics made in Fustat.


Object details

Categories
Object type
TitleDouble circle (light blue)
Materials and techniques
White earthenware, wheel-thrown and hand-carved, glazed
Brief description
Ceramic sculpture, earthenware, by Ibrahim Said, Egypt, 2013
Physical description
Light blue circular ring with a border of incised crosses in white. In the centre of the ring is another round piece, jutting out of the ring at an angle, in blue with a central incised area of crosses and circles in white.
Dimensions
  • Height: 25cm
  • Depth: 10cm
Content description
The design references medieval ceramic water filters.
Credit line
Given by Mr Ibrahim Said
Summary
Ibrahim Said (b.1976) was born and raised in the district of Fustat, the most important centre for pottery production in Islamic Egypt. In these works (ME.5-2013 and ME.6-2013) Said takes inspiration from the huge number of unglazed ceramic water filters that were found during excavations of Fustat in the 19th century. Dating from 1000 to 1200 AD, these filters sat inside the necks of water jugs to prevent flies and dirt from falling into the water, and often featured geometric or figurative designs. Said celebrates this historic art form by incorporating their patterns into his innovative ceramic forms. He also uses glazes which reference the glaze colours traditionally used on medieval ceramics made in Fustat.
Collection
Accession number
ME.6-2013

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Record createdFebruary 22, 2013
Record URL
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