We don’t have an image of this object online yet. V&A Images may have a photograph that we can’t show online, but it may be possible to supply one to you. Email us at vaimages@vam.ac.uk for guidance about fees and timescales, quoting the accession number: E.316-2013
Find out about our images

Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level F , Case SP, Shelf 6

Black Beauty Pageants

Photograph
1970s (photographed), 2012 (printed)
Artist/Maker
Place of origin

Grenadian born photographer Raphael Albert (1935-2009) was committed to celebrating the growing black population in Britain. Whilst living in Hammersmith, West London he began to organise and photograph a host of black beauty pageants from the 1960s to the 1980s, mostly targeted at women from the British Caribbean community.

The pageants echoed the sentiment of the ‘Black is Beautiful’ movement, which started in America in the 1960s. The movement encouraged black people to embrace their natural beauty. Full afro hairstyles were often combined with 1970s beauty trends of glamour and excess.

The V&A acquired seven of Albert’s photographs documenting beauty pageants and the British Caribbean community in London as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.


Object details

Categories
Object type
TitleBlack Beauty Pageants (series title)
Materials and techniques
Gelatin silver fibre-based print
Brief description
Photograph by Raphael Albert, untitled, from the portfolio Black Beauty Pageants, gelatin silver print, London, c. 1970s, printed 2012
Physical description
A black and white photograph of a woman with a large Afro hairstyle sitting at the corner of a table on a bar stool. She wears a short, patterned halterneck outfit, a bracelet and noticeable make up. In the background of the photograph there are more stools along a lower table at which a figure sits reading a paper. To the left of the background a man is stood looking down with one hand on his hip.
Dimensions
  • Image height: 280mm
  • Image width: 280mm
  • Paper height: 405mm
  • Paper width: 305mm
Style
Marks and inscriptions
(Stamped by Autograph ABP on the verso)
Gallery label
Raphael Albert (1935 – 2009) Untitled Untitled The Harder They Come Beauty Salon Untitled Miss Black & Beautiful From the series Black Beauty Pageants 1960 – 79 This series of photographs echoes the sentiment of the ‘Black is Beautiful’ movement, which started in America in the 1960s. The movement encouraged black people to embrace their natural beauty. Albert became interested in black British beauty pageants while working as a freelance photographer for the newspaper West Indian World. He founded the Miss Teenager and Miss West Indies in Great Britain contests in 1974. He viewed the contests as a way of restoring confidence within his community. Gelatin silver prints (printed 2012) Museum nos. E.312 to 317-2013 (16/02/2015-24/05/2015)
Credit line
Supported by the National Lottery through the Heritage Lottery Fund
Object history
The V&A acquired this photograph as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.
Subject depicted
Place depicted
Summary
Grenadian born photographer Raphael Albert (1935-2009) was committed to celebrating the growing black population in Britain. Whilst living in Hammersmith, West London he began to organise and photograph a host of black beauty pageants from the 1960s to the 1980s, mostly targeted at women from the British Caribbean community.

The pageants echoed the sentiment of the ‘Black is Beautiful’ movement, which started in America in the 1960s. The movement encouraged black people to embrace their natural beauty. Full afro hairstyles were often combined with 1970s beauty trends of glamour and excess.

The V&A acquired seven of Albert’s photographs documenting beauty pageants and the British Caribbean community in London as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.
Associated objects
Collection
Accession number
E.316-2013

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdFebruary 7, 2013
Record URL
Download as: JSON