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Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 138, The Harry and Carol Djanogly Gallery

Creamer

1800 to 1810 (made)
Artist/Maker
Place of origin

Black basalt is a hard black vitreous stoneware, named after the volcanic rock basalt. The colour of black basalt came from 'Carr', an oxide of iron suspended in water that flowed through coal seams and mines. It was manufactured by Josiah Wedgwood from about 1768 and other manufacturers soon followed. Black basalt does not need to be glazed and can just be polished to a dull sheen.
This creamer has an attractive low oval and ribbed form with a sprigged band of stylised flowers and scrolls. Technical difficulties with producing these repeated motifs is demonstrated here with the clear overlap of the design where the band meets. The dark nature of basalt wares means that this is only evident on close inspection and may not have been a mistake. The repeat of the band design may have fitted perfectly for the circumference of other shapes in the range.


Object details

Category
Object type
Materials and techniques
black basalt & moulded
Brief description
Black basalt creamer with sprig decoration, Elijah Mayer & Son, Hanley, Staffordshire, England, c.1800-10
Physical description
Black basalt creamer with sprig decoration
Dimensions
  • Whole height: 7.5cm
  • Whole width: 25.2cm
Style
Credit line
Gift of Laura Fransella from the collection of her late mother Erica Propper
Summary
Black basalt is a hard black vitreous stoneware, named after the volcanic rock basalt. The colour of black basalt came from 'Carr', an oxide of iron suspended in water that flowed through coal seams and mines. It was manufactured by Josiah Wedgwood from about 1768 and other manufacturers soon followed. Black basalt does not need to be glazed and can just be polished to a dull sheen.
This creamer has an attractive low oval and ribbed form with a sprigged band of stylised flowers and scrolls. Technical difficulties with producing these repeated motifs is demonstrated here with the clear overlap of the design where the band meets. The dark nature of basalt wares means that this is only evident on close inspection and may not have been a mistake. The repeat of the band design may have fitted perfectly for the circumference of other shapes in the range.
Collection
Accession number
C.12-2013

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Record createdJanuary 24, 2013
Record URL
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