HD14/69 (Pineapple)
Photograph
1969 (photographed), 2012 (printed)
1969 (photographed), 2012 (printed)
Artist/Maker | |
Place of origin |
Nigerian photographer J.D. 'Okhai Ojeikere (1930-2014) is best known for his photographs documenting a range of traditional and modern hairstyles worn by Nigerian women. He began the series in 1968 while travelling across the country with the Nigerian Arts Council, which was established to promote national culture following Nigerian independence from British colonial rule in 1960.
The hairstyles documented include both popular and ceremonial styles. Some of the more everyday styles, such as the pineapple hairstyle worn for casual events and office work, reflect the shift towards modern living taking place in Nigeria. The style has a number of variations, but all of them feature the distinctive pod pattern similar to a pineapple skin.
Over the course of his life Ojeikere recorded almost a thousand hairstyles, each photographed using the same format. He always included a close range rear view perspective, which illustrated his belief that the styles were ‘sculptures for a day’. The series is of historic and anthropological significance, as well as aesthetic value.
The V&A acquired eight photographs by J.D. 'Okhai Ojeikere documenting hairstyles and headties as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.
The hairstyles documented include both popular and ceremonial styles. Some of the more everyday styles, such as the pineapple hairstyle worn for casual events and office work, reflect the shift towards modern living taking place in Nigeria. The style has a number of variations, but all of them feature the distinctive pod pattern similar to a pineapple skin.
Over the course of his life Ojeikere recorded almost a thousand hairstyles, each photographed using the same format. He always included a close range rear view perspective, which illustrated his belief that the styles were ‘sculptures for a day’. The series is of historic and anthropological significance, as well as aesthetic value.
The V&A acquired eight photographs by J.D. 'Okhai Ojeikere documenting hairstyles and headties as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.
Object details
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Object type | |
Titles |
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Materials and techniques | Gelatin silver print |
Brief description | Photograph by J. D. 'Okhai Ojeikere, 'HD-14/69 (Pineapple)', from the series Hairstyles, gelatin silver print, Nigeria, 1969, printed 2012 |
Physical description | A black and white photograph of a black woman's hairstyle seen from the back. The hairstyle comprises of a number of small thread braids creating a pattern of squares across the scalp. The woman wears dangling spherical earrings. The photograph is taken from the top of the neck upwards against a plain white background. |
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Gallery label |
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Credit line | Supported by the National Lottery through the Heritage Lottery Fund |
Object history | The V&A acquired this photograph as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives. |
Production | This photograph was printed in Paris from the original negative, then sent to Nigeria for approval, then shipped to London |
Subjects depicted | |
Summary | Nigerian photographer J.D. 'Okhai Ojeikere (1930-2014) is best known for his photographs documenting a range of traditional and modern hairstyles worn by Nigerian women. He began the series in 1968 while travelling across the country with the Nigerian Arts Council, which was established to promote national culture following Nigerian independence from British colonial rule in 1960. The hairstyles documented include both popular and ceremonial styles. Some of the more everyday styles, such as the pineapple hairstyle worn for casual events and office work, reflect the shift towards modern living taking place in Nigeria. The style has a number of variations, but all of them feature the distinctive pod pattern similar to a pineapple skin. Over the course of his life Ojeikere recorded almost a thousand hairstyles, each photographed using the same format. He always included a close range rear view perspective, which illustrated his belief that the styles were ‘sculptures for a day’. The series is of historic and anthropological significance, as well as aesthetic value. The V&A acquired eight photographs by J.D. 'Okhai Ojeikere documenting hairstyles and headties as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives. |
Associated objects |
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Bibliographic reference | J.D. 'Okhai Ojeikere/Photographs Zurich; Berlin; New York: Scalo, 2000
Illustrated on page 144 and discussed on page 157 as follows, 'Page 144 PINEAPPLE The name refers to the pineapple pod-like pattern. For casual events and office work. HD 14/69' |
Collection | |
Accession number | E.233-2013 |
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Record created | January 16, 2013 |
Record URL |
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