Bowl Stand thumbnail 1
Bowl Stand thumbnail 2
+5
images
Not currently on display at the V&A

Bowl Stand

1034-1094 (made)
Artist/Maker
Place of origin

A bowlstand was a luxury object, not a daily necessity. According to legend it was invented by a noblewoman in the 8th century. Finding a tea bowl too hot to hold in her hands she put it on a saucer, and to stop the bowl sliding on the saucer she put wax around its foot. The present bowlstand is made of lacquered silk and is extremely light. It is inscribed with the name of a lacquer workshop in Changsha, Hunan province, together with a cyclical date corresponding to either 1034 or 1094.


Object details

Category
Object type
Materials and techniques
Silk, lacquered
Brief description
Bowl stand, brown lacquer on silk, Tanzhou, China, Song dynasty, dated 1034 or 1094
Physical description
Bowl stand, covered in dark brown lacquer on silk, in the form of a round bottomless bowl, with an eight-lobed flange, inscribed in red lacquer in the interior of the bowl
Dimensions
  • Height: 2.5in
  • Of saucer diameter: 5.5in
  • Diameter: 3.25in
Style
Marks and inscriptions
甲戌潭州天慶觀東潢小五造記
Translation
In the year Jiaxu at Tanzhou to the east of the Tianqing Monastery. Huang the fifth junior made and recorded this.
Transliteration
Jiaxu Tanzhou Tianqingguan dong Huang xiaowu zaoji
Gallery label
Bowl stand Northern Song dynasty Dated 1034 or 1094 The inscription records that the bowl stand was made in Tanzhou (now Changsha, capital of Hunan province). Lacquer on a stiffened fabric core Museum no. W.3-1938 From the Eumorfopoulos collection(2007)
Summary
A bowlstand was a luxury object, not a daily necessity. According to legend it was invented by a noblewoman in the 8th century. Finding a tea bowl too hot to hold in her hands she put it on a saucer, and to stop the bowl sliding on the saucer she put wax around its foot. The present bowlstand is made of lacquered silk and is extremely light. It is inscribed with the name of a lacquer workshop in Changsha, Hunan province, together with a cyclical date corresponding to either 1034 or 1094.
Bibliographic reference
Garner, Harry, Chinese Lacquer, London-Boston: Faber and Faber, 1979, p. 50, pl. 20 Hin-Cheung Lovell, 'Sung and Yuan Monochrome Lacquers in the Freer Gallery,' Ars Orientalis, vol. 9 (1973), p. 122.
Collection
Accession number
W.3-1938

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJuly 7, 2006
Record URL
Download as: JSONIIIF Manifest