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Shatrunjaya pata

Painting
ca. 1870-1900 (made)
Artist/Maker
Place of origin

Painting, large, on cloth showing the Jain sacred site at Shatrunjaya Hill with its major buildings and geographical features such as Shatrunjaya river on the left and Palitana town in the bottom right corner; pilgrims are depicted on the paths and wild animals including a tiger and peacocks in the countryside.

Object details

Categories
Object type
TitleShatrunjaya pata (generic title)
Materials and techniques
Painted cloth
Brief description
Painting, Jain pilgrimage, showing Shatrunjaya Hill with pilgrims and other details, paint on cloth, India, ca. 1870-1900
Physical description
Painting, large, on cloth showing the Jain sacred site at Shatrunjaya Hill with its major buildings and geographical features such as Shatrunjaya river on the left and Palitana town in the bottom right corner; pilgrims are depicted on the paths and wild animals including a tiger and peacocks in the countryside.
Gallery label
THE JAIN PILGRIMAGE SITE OF SHATRUNJAYA Painting on cotton with added linen backing Gujarat or Rajasthan, c.1870-1900, with later retouching IS.32-2012 Purchased with the assistance of the V&A Jain Art Fund Shatrunjaya Hill in Gujarat is one of the holiest Jain sites. It is crowned with many temples and shrines. The site attracts thousands of pilgrims, who climb up to the temples from the town of Palitana below on a stone path with over 3000 steps. Large paintings of Shatrunjaya, like this one, are hung in Jain temples elsewhere so that those unable to visit the site can contemplate it. Devotees gain religious merit by doing this. The major temples are identifiable in this painting. Also recognisable are key features of the site such as the Shatrunjaya River (lower left). A horse and carriage painted in the courtyard of the Adishvara temple (top left) suggest that the painting may have been made to commemorate a navanu pilgrimage. This arduous pilgrimage involves 99 ascents of the hill accompanied by acts of worship and periods of fasting. Completion of the pilgrimage was traditionally celebrated by a procession with the pilgrimage leader riding in a chariot.(27/09/2013)
Credit line
Purchased with the assistance of the V&A Jain Art Fund
Bibliographic references
  • Granoff, Phyllis (ed.) Victorious ones : Jain images of perfection. New York and Ahmedabad: Rubin Museum of Art, in association with Mapin Pub., 2009. ISBN 9780944142820; ISBN 9780944142837. pp. 280-1, P31.
  • Cousens, Henry. Archaeological Survey of India, Volume XLV, Imperial Series : Somanātha and other mediӕval temples in Kāṭhiāwād. Calcutta, Government of India Central Publications Branch, 1931, pp. 73-85 and plates.
  • Barnard, Nick, Arts of Asia, Vol. no. 46, no 1, "The Jain Collections at the Victoria and Albert Museum". January-February 2016 pp.106 and 107, no 23 and detail
  • Jaina painting and manuscript culture : in memory of Paolo Pianarosa / [edited by] Julia A.B. Hegewald. Number: 9783868931747 (hd.bd.), 3868931740 (hd.bd.) p.121, pl. 4.14
Collection
Accession number
IS.32-2012

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Record createdOctober 26, 2012
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