Not currently on display at the V&A

Windermere from Broad Leys

Photograph
August 1912 (photographed)
Artist/Maker
Place of origin

An artist himself, Rupert Potter (1832-1914) was probably the single greatest influence on his daughter's enduring passion for the arts and natural history and on her development as a writer and illustrator. Rupert took up photography in the 1860s when it was still a relatively new art form and was elected to the Photographic Society of London in 1869. An enthusiastic and skilled amateur, he later contributed to photographic exhibitions. Rupert's favourite subject was Beatrix herself. Photography was an expensive and laborious process yet she appears to have endured patiently the elaborate choreography and the camera’s uncomfortably long exposure. Rupert's prolific legacy of several hundred photographs forms a broad pictorial account of Beatrix’s life from infancy to marriage.

Prior to her marriage to William Heelis (1871-1945) in 1913, Beatrix was expected to accompany her parents and brother on extended summer holidays to Scotland and the Lake District. In 1912 the family rented Broad Leys, a house near Bowness on Windermere. Nearly every day Beatrix made the long journey from Bowness to Hill Top in Sawrey, the farm she had purchased in 1905 with royalties from the sale of her little books: 'I have kept very well & managed the going backwards & forwards; but it takes it out of me'. (Letter to Millie Warne, 22nd August 1912.) Yet, despite an exhausting and rainy summer, Beatrix wrote to her publisher from Broad Leys with an idea for a new book, 'a story about two disagreeable people, called Tommy Brock & Mr Tod'. (Letter to Harold Warne, 14th July 1912.) The Tale of Mr. Tod was published in October.

When this picture was taken in August 1912, Bertram Potter (1872-1918) had been secretly married to Mary Scott (d.1939), the daughter of a Scottish farmer, for ten years and Beatrix had been secretly engaged to William Heelis for a couple of months. Although she had accepted William Heelis's proposal in June, Beatrix postponed informing her parents until later in the summer, knowing that once again they would disapprove of her choice of husband.


Object details

Categories
Object type
TitleWindermere from Broad Leys (assigned by artist)
Materials and techniques
Albumen print on paper.
Brief description
View of Windermere from Broad Leys; albumen print by Rupert Potter, August 1912.
Physical description
View of a large lake with the tops of trees visible in the foreground and rolling hills and houses on the far side of the lake.
Dimensions
  • Height: 124mm
  • Width: 166mm
Marks and inscriptions
'Aug 1912 / Windermere from Broad Leys / R Potter' (Pencil inscription by Rupert Potter on verso.)
Credit line
Given by Joan Duke.
Object history
Photographed by Rupert Potter in August 1912. Photograph given to the Museum by Joan Duke in 1983.
Subjects depicted
Places depicted
Summary
An artist himself, Rupert Potter (1832-1914) was probably the single greatest influence on his daughter's enduring passion for the arts and natural history and on her development as a writer and illustrator. Rupert took up photography in the 1860s when it was still a relatively new art form and was elected to the Photographic Society of London in 1869. An enthusiastic and skilled amateur, he later contributed to photographic exhibitions. Rupert's favourite subject was Beatrix herself. Photography was an expensive and laborious process yet she appears to have endured patiently the elaborate choreography and the camera’s uncomfortably long exposure. Rupert's prolific legacy of several hundred photographs forms a broad pictorial account of Beatrix’s life from infancy to marriage.

Prior to her marriage to William Heelis (1871-1945) in 1913, Beatrix was expected to accompany her parents and brother on extended summer holidays to Scotland and the Lake District. In 1912 the family rented Broad Leys, a house near Bowness on Windermere. Nearly every day Beatrix made the long journey from Bowness to Hill Top in Sawrey, the farm she had purchased in 1905 with royalties from the sale of her little books: 'I have kept very well & managed the going backwards & forwards; but it takes it out of me'. (Letter to Millie Warne, 22nd August 1912.) Yet, despite an exhausting and rainy summer, Beatrix wrote to her publisher from Broad Leys with an idea for a new book, 'a story about two disagreeable people, called Tommy Brock & Mr Tod'. (Letter to Harold Warne, 14th July 1912.) The Tale of Mr. Tod was published in October.

When this picture was taken in August 1912, Bertram Potter (1872-1918) had been secretly married to Mary Scott (d.1939), the daughter of a Scottish farmer, for ten years and Beatrix had been secretly engaged to William Heelis for a couple of months. Although she had accepted William Heelis's proposal in June, Beatrix postponed informing her parents until later in the summer, knowing that once again they would disapprove of her choice of husband.
Other number
AAD/1983/14/41 - V&A Archive number
Collection
Accession number
AR.14:41-1983

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Record createdOctober 25, 2012
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