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Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 138, The Harry and Carol Djanogly Gallery

Plate

1774 (made)
Artist/Maker
Place of origin

This plate was made at Josiah Wedgwood's factory, Etruria, in Staffordshire. It follows the design of 'The Frog Service', one of the most prestigious commissions ever received by him from Empress Catherine II of Russia in March 1773. The Empress ordered the service specifically for her new pleasure palace, the Kekerekeksinensky Palace. Built in a swampy location on the outskirts of St Petersburg, the gardens of the palace abounded with frogs, and the name of the service derives from the green frog, painted in a shield within the border of each piece as an amusing reference to this.

The service items were painted in London at Wedgwood's Chelsea Decorating Studio. Here specially trained decorators copied views of Britain from engravings or original watercolours in shades of brown onto every piece. The Empress had a passion for British landscape gardens and Gothic buildings and specified the kind of views she wanted. On its completion, the combined dinner and dessert service was displayed at Wedgwood’s new showrooms in Portland House, Greek Street, London in June 1774 and was then despatched to Russia early in the autumn of the same year.

The service was extremely costly to produce, and it was hoped that members of the British aristocracy might be inspired to order similar services decorated with views of their estates or famous beauty spots. To this end a further small dessert service with landscape scenes was made in the second half of 1774, specifically for use as a marketing tool in Wedgwood's London showrooms. 21 items of this service have been traced to date, and this plate is one of these items. All have views found also on the Frog Service, but differ in that they are painted in colour and do not have the frog painted in the border.

The source of the view on this plate is a drawing by Mary Gardiner. This artist exhibited watercolours of topographical views at the Royal Society of Artists from 1762-1770.


Object details

Categories
Object type
Materials and techniques
Brief description
Cream coloured earthenware plate painted with a view of Shobdon Court, Herefordshire, made in the style of 'The Frog Service' by Wedgwood at Etruria, Staffordshire, decorated in Chelsea, London, 1774.
Physical description
Plate, cream coloured earthenware, painted in enamels. The lobed rim of the plate has a brown line and a border of leaves and berries. In the centre there is a view of Shobdon Court, a large house in parkland with a couple strolling in the foreground. The scene is edged by a painted gadrooned border. Below the scene is inscribed the name of the location ' Shobden Court, in Herefordshire'.
Dimensions
  • Diameter: 23cm
Marks and inscriptions
  • 'Shobden Court, in Herefordshire' (location of painted scene is inscribed below the gadrooned inner border)
  • 'Unique Plate The same as those painted for the Russian Service' (inscribed on paper label stuck to underside of plate)
Credit line
Private Collection
Object history
This plate follows the design of 'The Frog Service', ordered from Wedgwood by Empress Catherine II of Russia in March 1773 for her new pleasure palace, the Kekerekeksinensky Palace. Built in a swampy location on the outskirts of St Petersburg, the gardens of the palace abounded with frogs, and the green frog, painted in a shield within the border of each piece, is an amusing reference to this. The commission was for a service for 50 people and each piece was to be decorated in sepia with views of Britain, specifically landscape gardens and Gothic buildings. The main source was a series of prints published annually by Samuel and Nathaniel Buck, 'Buck’s Antiquities', although many other prints of gardens and ruins, which were a special interest of the Empress were also used. When no prints existed of interesting places, Wedgwood commissioned them, or bought existing original drawings for his painters to copy.

The service items were made at Wedgwood's factory Etruria in Staffordshire and then sent to London where it was painted at the company's Chelsea Decorating Studio. The combined dinner and dessert service was displayed on completion at Wedgwood’s new showrooms in Portland House, Greek Street, London, marking its opening in June 1774. It was finally despatched to Russia early in the autumn of 1774.

The service was extremely costly to produce, and it was hoped that members of the aristocracy might be inspired to order similar services decorated with views of their estates or famous beauty spots. To this end a further small dessert service with landscape scenes was made in the second half of 1774, specifically for use as a marketing tool in Wedwood's London showrooms. 21 items of this service have been traced to date, and this plate is one of these items. All have views found also on the Frog Service, but are painted in colour as the monochrome sepia of the original was not thought to be attractive enough.
Place depicted
Summary
This plate was made at Josiah Wedgwood's factory, Etruria, in Staffordshire. It follows the design of 'The Frog Service', one of the most prestigious commissions ever received by him from Empress Catherine II of Russia in March 1773. The Empress ordered the service specifically for her new pleasure palace, the Kekerekeksinensky Palace. Built in a swampy location on the outskirts of St Petersburg, the gardens of the palace abounded with frogs, and the name of the service derives from the green frog, painted in a shield within the border of each piece as an amusing reference to this.

The service items were painted in London at Wedgwood's Chelsea Decorating Studio. Here specially trained decorators copied views of Britain from engravings or original watercolours in shades of brown onto every piece. The Empress had a passion for British landscape gardens and Gothic buildings and specified the kind of views she wanted. On its completion, the combined dinner and dessert service was displayed at Wedgwood’s new showrooms in Portland House, Greek Street, London in June 1774 and was then despatched to Russia early in the autumn of the same year.

The service was extremely costly to produce, and it was hoped that members of the British aristocracy might be inspired to order similar services decorated with views of their estates or famous beauty spots. To this end a further small dessert service with landscape scenes was made in the second half of 1774, specifically for use as a marketing tool in Wedgwood's London showrooms. 21 items of this service have been traced to date, and this plate is one of these items. All have views found also on the Frog Service, but differ in that they are painted in colour and do not have the frog painted in the border.

The source of the view on this plate is a drawing by Mary Gardiner. This artist exhibited watercolours of topographical views at the Royal Society of Artists from 1762-1770.
Associated objects
Bibliographic references
  • Raeburn, M., L. N Veronikhina and A. Nurnberg eds. The Green Frog Service. London: Cocklegoose Press,1995. B8, 405p. see also 286p. for the original drawing by Mary Gardiner, and the same scene, View 378, painted on the oval cover of a dish in the Frog Service. The drawings of Shobdon Court in Herefordshire used on the Frog Service and on this plate 'were done by Mary Gardiner, an artist who exhibited topographical views at the Society of Artists from 1762-1770. The album in which they were preserved was sold at auction in 1976, (Sotheby's London, 15th July, lot 5), but it was split up by the purchaser, and the drawings have not been traced since.'
  • Hilary Young, ed., The Genius of Wedgwood, Victoria & Albert Museum, June-September 1995, exhibition catalogue G324, 206p.
Collection
Accession number
LOAN:CERANON.13-2012

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Record createdSeptember 12, 2012
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