Jelly Mould thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 138, The Harry and Carol Djanogly Gallery

Jelly Mould

1790-1800 (made)
Artist/Maker
Place of origin

This delightful jelly mould is in two parts and bears witness to the elegant dining habits of the late 1700s as the edible jelly dish created in it was intended purely for display as part of the dessert course. The fancy core mould would sit inside the plain outer mould (presumably supported in a special holder until the jelly set) and liquid jelly was poured through the four holes in the rim. Once the jelly was set, the two moulds with the jelly inside were turned back up the right way and set on a serving dish. Then the plain outer mould was removed, revealing the pretty painted decoration shimmering through the stiff, clear jelly. 'Pyramid moulds' such as this were often disposed in pairs as part of an elaborate symmetrical arrangement of dishes.
Making completely clear jelly was a difficult and time-consuming task in itself. Gelatine could be made from boiling calves' or pigs' feet, adding beaten egg whites, wine and lemon juice. Alternatively two other congealing agents could be used: isinglass, derived from the swim bladders of certain fish, or hartshorn, literally gratings from the horns of deer.
Two-part moulds of this type seem to have been popular from about 1780-1810.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Jelly Mould
  • Cover
Materials and techniques
The inner enamelled part of this mould is pearlware.
Brief description
A two part jelly mould in earthenware, the grooved outer part plain, the inner part enamelled with colourful flowers, Wedgwood, Etruria, Staffordshire, ca. 1790-1800
Physical description
Two part jelly moulded, the outer part of tall conical shape with a stepped foot, the inner part of plain shape with four holes spaced around the circumference, all enamelled with colourful flower sprays and swags of flowers, the borders with brown lines.
Dimensions
  • Height: 22.5cm
Credit line
Private Collection
Object history
This type of jelly mould was designed to sit on the table with the painted core showing through an outer pyramid of stiff jelly. According to Robin Emmerson, they were popular only from about 1780-1810.
Joan Morris in her article 'Molds and their History' cites Parson Woodforde's diary (1782), writing of a dinner he attended, 'and a very pretty pyramid of jelly in the centre, a landscape appearing thro' the jelly, a new device and brought from London.' p. 146. She also illustrates a very similar core mould, fig. 13, in the collection of Mrs. Henry P. Bridges (USA).
'Today these molds are referred to as core molds, but in their day they were known as pyramids as we learn from a contemporary document in the Wedgwood Museum 'A Mould for Jelly, a Square Pyramid with cover to fit with five holes in it to pour the Jelly through, and the Middle part is left in the Jelly and showing the painting through the Jelly.' There is an order of 1786 which indicates that they may have been sold in pairs: 'Mr Wedgwoods, Greek Street, London, 8 small Pyramid Moulds of 4 sorts, two alike.'
Subject depicted
Summary
This delightful jelly mould is in two parts and bears witness to the elegant dining habits of the late 1700s as the edible jelly dish created in it was intended purely for display as part of the dessert course. The fancy core mould would sit inside the plain outer mould (presumably supported in a special holder until the jelly set) and liquid jelly was poured through the four holes in the rim. Once the jelly was set, the two moulds with the jelly inside were turned back up the right way and set on a serving dish. Then the plain outer mould was removed, revealing the pretty painted decoration shimmering through the stiff, clear jelly. 'Pyramid moulds' such as this were often disposed in pairs as part of an elaborate symmetrical arrangement of dishes.
Making completely clear jelly was a difficult and time-consuming task in itself. Gelatine could be made from boiling calves' or pigs' feet, adding beaten egg whites, wine and lemon juice. Alternatively two other congealing agents could be used: isinglass, derived from the swim bladders of certain fish, or hartshorn, literally gratings from the horns of deer.
Two-part moulds of this type seem to have been popular from about 1780-1810.
Bibliographic references
  • Emmerson, Robin. Design for Dessert. In Tom Walford and Hilary Young eds. British Ceramic Design 1600-2002 Papers presented at a Colloquium Celebrating the 75th Anniversary of The English Ceramics Circle at The Victoria and Albert Museum, 2002, pp. 58-72, fig. 8 for a similar two part jelly mould with an identical grooved outer part in the Lady Lever Art Gallery, National Museums Liverpool.
  • Morris, Joan. Molds and thier History, fig. 13, article on file 7N7 Box 43
Collection
Accession number
LOAN:CERANON.10:1-2012

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Record createdSeptember 12, 2012
Record URL
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