Vase and Cover
1770-75 (made), 1770-75 (made)
Artist/Maker | |
Place of origin |
CREAMWARE VASE with Egyptian heads, made at Josiah Wedgwood’s factory, Etruria, Staffordshire
About 1770-1775
Creamware with applied medallion, ‘porphyry’ glaze, and traces of original gilding
By 1770 the ‘antique’ vase had become a symbol of the new Neo-classical style. Wedgwood capitalised on the craze by introducing many designs and techniques to satisfy this demanding market. The speckled glaze here imitates porphyry. The vase is an early example of the fashion for Egyptian ornament.
About 1770-1775
Creamware with applied medallion, ‘porphyry’ glaze, and traces of original gilding
By 1770 the ‘antique’ vase had become a symbol of the new Neo-classical style. Wedgwood capitalised on the craze by introducing many designs and techniques to satisfy this demanding market. The speckled glaze here imitates porphyry. The vase is an early example of the fashion for Egyptian ornament.
Object details
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Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | creamware |
Brief description | Vase and cover of earthenware with a blue-grey speckled 'porphyry’ glaze and Egyptian-style handles, made by Wedgwood, Etruria, Staffordshire, ca. 1770-75 |
Physical description | Vase and cover of cream-coloured earthenware, the body decorated with a speckled glaze imitating porphyry, the applied ornament left plain with traces of original gilding. The handles modelled as Egyptian heads, one side of the body with a moulded plaque of Hercules slaying the Nemaean lion, both sides with a swag of husks, the pedestal foot with an acanthus leaf border, all set on a square black basalt plinth. The cover finial modelled as a seated sibyl or widow, a border of overlapping laurel leaves and berries around the rim. |
Dimensions |
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Styles | |
Gallery label | CREAMWARE VASE with Egyptian heads
About 1770-1775
By 1770 the ‘antique’ vase had become a symbol of the new Neo-classical style. Wedgwood capitalised on the craze by introducing many designs and techniques to satisfy this demanding market. The speckled glaze here imitates porphyry. The vase is an early example of the fashion for Egyptian ornament.
Creamware with applied medallion, ‘porphyry’ glaze, and traces of original gilding
Made at Josiah Wedgwood’s factory, Etruria, Staffordshire |
Credit line | Private Collection |
Object history | Egypt was not included in the Grand Tour in the eighteenth century, and with the exception of a few very adventurous travellers, those who wished to study Egyptian antiquities did so in Rome. According to Reilly 'The principal sources used by Wedgwood and Bentley were the work of Bernard de Montfaucon and the Count de Caylus, neither of whom had visited Egypt but whose illustrations were genuine attempts to reproduce their subject in authentic detail. The number of different shapes copied from illustrations of Egyptian originals produced during the lifetime of the first Josiah is surprisingly large in comparison with the work of any other pottery or porcelain manufacturer off his time.' There were also architectural examples of the use of Egyptian ornament in England: an undated design for a gateway with sphinxes at Sherborne Castle of about 1770 (not executed) and Robert Adam's entrance screen for Syon House which included sphinxes in the design, built in 1773. |
Subjects depicted | |
Summary | CREAMWARE VASE with Egyptian heads, made at Josiah Wedgwood’s factory, Etruria, Staffordshire About 1770-1775 Creamware with applied medallion, ‘porphyry’ glaze, and traces of original gilding By 1770 the ‘antique’ vase had become a symbol of the new Neo-classical style. Wedgwood capitalised on the craze by introducing many designs and techniques to satisfy this demanding market. The speckled glaze here imitates porphyry. The vase is an early example of the fashion for Egyptian ornament. |
Bibliographic references |
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Collection | |
Accession number | LOAN:CERANON.4:1-2012 |
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Record created | September 12, 2012 |
Record URL |
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