Set Model
1954 (designed)
Artist/Maker | |
Place of origin |
Great Britain’s leading theatre designer from the early 1930s to the mid 1950s, Oliver Messel (1904-1978) won international acclaim for his lavish, painterly and poetic designs informed by period styles. His work spans ballet, drama, film, musical, opera and revue. Messel’s traditional style of theatre design became unfashionable from the mid 1950s onwards, and he increasingly concentrated on painting, interior and textile design, including designing luxury homes in the Caribbean.
House of Flowers, a musical presented on Broadway, New York, in 1954, is based on a short story by Truman Capote (1924-1984). Set on a Caribbean island, rival madams of two bordellos compete for business, while a young, innocent girl experiences first love. Messel won an Antoinette Perry 'Tony' Award for his set designs in 1956. Despite all the ingredients for success, the musical failed to ignite the critics and public, and lasted only 165 performances.
Messel, inspired by the exotic Caribbean island setting, designed colourful sets with luscious vegetation. The façade of Madame Fleur’s house is covered in gigantic sunflowers, leaves and stems. Messel reused the sage green colour of the window shutters for his architectural and interior design projects in the Caribbean in the 1960s.
House of Flowers, a musical presented on Broadway, New York, in 1954, is based on a short story by Truman Capote (1924-1984). Set on a Caribbean island, rival madams of two bordellos compete for business, while a young, innocent girl experiences first love. Messel won an Antoinette Perry 'Tony' Award for his set designs in 1956. Despite all the ingredients for success, the musical failed to ignite the critics and public, and lasted only 165 performances.
Messel, inspired by the exotic Caribbean island setting, designed colourful sets with luscious vegetation. The façade of Madame Fleur’s house is covered in gigantic sunflowers, leaves and stems. Messel reused the sage green colour of the window shutters for his architectural and interior design projects in the Caribbean in the 1960s.
Object details
Categories | |
Object type | |
Materials and techniques | paper, acetate, wire, glue, gauze, watercolour, gouache |
Brief description | Set model piece for the façade of Madame Fleur's house designed by Oliver Messel for Truman Capote and Harold Arlen's musical House of Flowers, 1954. |
Physical description | Set model piece by Oliver Messel for the facade of Madame Fleur's house in House of Flowers, 1954, consisting of paper, wire, glue, gauze, acetate painted in watercolour and gouache. The front of a house with shutters drawn, painted pale green. Giant yellow and pink flowers and leaves grow up the front of the house. On the reverse, view of the interior decoration, with walls painted pink. |
Dimensions |
|
Production type | Design |
Marks and inscriptions | 'bottom' (Pencil inscription on the bottom of the model piece.) |
Credit line | Acquired with the support of the National Lottery Heritage Fund, Art Fund and the Friends of the V&A |
Object history | House of Flowers, a musical in two acts by Truman Capote set in a West Indies bordello. Oliver Messel’s production was first performed at the Alvin Theatre, New York on 30 December, 1954 and directed by Peter Brook. It was choreographed by Herbert Ross with music by Harold Arlen and featured Diahann Carroll as Ottilie and Pearl Bailey as Madame Fleur. Lord Snowdon, Oliver Messel's nephew, inherited Messel's theatre designs and other designs and artefacts. The designs were briefly stored in a disused chapel in Kensington Palace before being housed at the V&A from 1981 on indefinite loan. The V&A Theatre Museum purchased the Oliver Messel collection from Lord Snowdon in 2005. Historical significance: Messel won an Antoinette Perry ‘Tony’ award in 1956 for his set designs for House of Flowers. |
Production | Reason For Production: Commission |
Summary | Great Britain’s leading theatre designer from the early 1930s to the mid 1950s, Oliver Messel (1904-1978) won international acclaim for his lavish, painterly and poetic designs informed by period styles. His work spans ballet, drama, film, musical, opera and revue. Messel’s traditional style of theatre design became unfashionable from the mid 1950s onwards, and he increasingly concentrated on painting, interior and textile design, including designing luxury homes in the Caribbean. House of Flowers, a musical presented on Broadway, New York, in 1954, is based on a short story by Truman Capote (1924-1984). Set on a Caribbean island, rival madams of two bordellos compete for business, while a young, innocent girl experiences first love. Messel won an Antoinette Perry 'Tony' Award for his set designs in 1956. Despite all the ingredients for success, the musical failed to ignite the critics and public, and lasted only 165 performances. Messel, inspired by the exotic Caribbean island setting, designed colourful sets with luscious vegetation. The façade of Madame Fleur’s house is covered in gigantic sunflowers, leaves and stems. Messel reused the sage green colour of the window shutters for his architectural and interior design projects in the Caribbean in the 1960s. |
Bibliographic reference | Pinkham, Roger (ed.) Oliver Messel: an exhibition held at the Theatre Museum, Victoria and Albert Museum, 22 June - 30 September 1983.
London: Victoria and Albert Museum, 1983. 200p., ill
ISBN 0905209508) |
Other number | ROT 1114:9 - TM Rotation Number |
Collection | |
Accession number | S.108-2006 |
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Record created | June 9, 2006 |
Record URL |
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