Ivor Brock lambing in the great blizzard, Millhams, Dolton, Devon, 1978
Photograph
1978 (photographed)
1978 (photographed)
Artist/Maker | |
Place of origin |
James Ravilious originally trained as a painter, but was inspired to take up photography by visiting the Henri Cartier-Bresson exhibition at the Victoria & Albert Museum in 1969. In 1972 he moved to North Devon, and began what would become his life’s work in documenting the people and landscape of this region for the Beaford Archive.
Ravilious’s work often documented small-scale Devon farmers, bringing to light some of the hardships they encountered, and the resourcefulness, humour and stoicism of many of the locals Ravilious got to know personally. Here, Ivor Brock is rescuing one of his neighbour’s lambs from a snowdrift during the ‘Great Blizzard’ of 1978, while the ewe, its mother, follows anxiously, drawn by the wisp of hay he holds in his other hand. Despite this being taken in the late seventies, Ivor is not wearing gloves, and his non-waterproof coat is tied with string, making this photograph seem from a much earlier age or more deprived country. In reality, the poverty and remoteness of the area left much of the local population to ‘make do and get by’ using resources and methods handed down from previous generations, mixed with the odd newfangled piece of kit being shared around the community when it was available.
Ravilious’s work often documented small-scale Devon farmers, bringing to light some of the hardships they encountered, and the resourcefulness, humour and stoicism of many of the locals Ravilious got to know personally. Here, Ivor Brock is rescuing one of his neighbour’s lambs from a snowdrift during the ‘Great Blizzard’ of 1978, while the ewe, its mother, follows anxiously, drawn by the wisp of hay he holds in his other hand. Despite this being taken in the late seventies, Ivor is not wearing gloves, and his non-waterproof coat is tied with string, making this photograph seem from a much earlier age or more deprived country. In reality, the poverty and remoteness of the area left much of the local population to ‘make do and get by’ using resources and methods handed down from previous generations, mixed with the odd newfangled piece of kit being shared around the community when it was available.
Object details
Category | |
Object type | |
Title | Ivor Brock lambing in the great blizzard, Millhams, Dolton, Devon, 1978 (assigned by artist) |
Materials and techniques | Gelatin silver process |
Brief description | Photograph by James Ravilious, gelatin silver print, 1979 |
Physical description | A vintage gelatin-silver print showing a man dressed in a thick black coat and cap, holding a lamb by the leg in his right hand as he walks through a blizzard. A ewe lies to the figure's left. |
Dimensions |
|
Content description | Beaford Arts, a village arts centre in Devon, commissioned Ravilious to contribute images to the Beaford Archive, intended as a photographic record of a life in the largely unspoilt but vulnerable country area within a 10-mile radius of Beaford. During the course of seventeen years Ravilious took over 80,000 black and white images of many aspects of life in the area between the Taw and Torridge rivers of North Devon, including landscapes, studies of farmers at work, special occasions and ancient traditions in the local towns and villages. |
Subjects depicted | |
Place depicted | |
Summary | James Ravilious originally trained as a painter, but was inspired to take up photography by visiting the Henri Cartier-Bresson exhibition at the Victoria & Albert Museum in 1969. In 1972 he moved to North Devon, and began what would become his life’s work in documenting the people and landscape of this region for the Beaford Archive. Ravilious’s work often documented small-scale Devon farmers, bringing to light some of the hardships they encountered, and the resourcefulness, humour and stoicism of many of the locals Ravilious got to know personally. Here, Ivor Brock is rescuing one of his neighbour’s lambs from a snowdrift during the ‘Great Blizzard’ of 1978, while the ewe, its mother, follows anxiously, drawn by the wisp of hay he holds in his other hand. Despite this being taken in the late seventies, Ivor is not wearing gloves, and his non-waterproof coat is tied with string, making this photograph seem from a much earlier age or more deprived country. In reality, the poverty and remoteness of the area left much of the local population to ‘make do and get by’ using resources and methods handed down from previous generations, mixed with the odd newfangled piece of kit being shared around the community when it was available. |
Bibliographic references |
|
Collection | |
Accession number | E.745-2012 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | July 18, 2012 |
Record URL |
Download as: JSON