Image of Gallery in South Kensington
On display at V&A South Kensington
Glass, Room 131

telephone

Form
1972 (made)
Artist/Maker
Place of origin

Erwin Eisch (German, b. 1927) was one of the founders of studio glass in Europe. More than anyone, Eisch was responsible for developing glass as a material for artistic expression, liberating the material from its previous almost exclusive use for vases and decorative objects.
Eisch made several versions of this gold telephone. Misshapen and cartoonish, it is the artist’s humorous response to a science and technology-driven society. He renders a useful object useless by reproducing it in a material that was hitherto predominantly used to make functional objects. Glass, here, is purely a material of sculptural expression and Eisch’s use of gold helps to elevate the status of the object to a 'proper' work of art.


Object details

Categories
Object type
Titles
  • telephone (assigned by artist)
  • telefon (assigned by artist)
Materials and techniques
Mould-blown body, hot-worked reciever, gold lustre
Brief description
''Telephone'', glass sculpture by Erwin Eisch, Frauenau (Germany) 1972
mould-blown, hot-worked and gold-lustre
Physical description
Distorted, mould-blown body, hot-worked receiver, gold lustre applied to the exterior. The bottom is open and the sides have been been cut and polished
Dimensions
  • Height: 10.7cm
  • Receiver width: 20.7cm
  • Greatest, diagonally width: 22.2cm
  • Length: 18.5cm
Style
Marks and inscriptions
'E Eisch '72' (Inscribed with a diamond point through the gold lustre, low down on the right side towards the back)
Summary
Erwin Eisch (German, b. 1927) was one of the founders of studio glass in Europe. More than anyone, Eisch was responsible for developing glass as a material for artistic expression, liberating the material from its previous almost exclusive use for vases and decorative objects.
Eisch made several versions of this gold telephone. Misshapen and cartoonish, it is the artist’s humorous response to a science and technology-driven society. He renders a useful object useless by reproducing it in a material that was hitherto predominantly used to make functional objects. Glass, here, is purely a material of sculptural expression and Eisch’s use of gold helps to elevate the status of the object to a 'proper' work of art.
Other number
9843
Collection
Accession number
C.73-2012

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Record createdJuly 9, 2012
Record URL
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