Design
1788 (made)
Artist/Maker | |
Place of origin |
Print of a design for a small box by an anonymous designer. It was made from a blind-stamped impression which is a print made by a form of relief printing. The design is impressed into the paper blind, that is un-inked. In this case, the circular metalwork box lid was the printing block. The raised border of the blind-stamped impression of the box is handcoloured in watercolour.
The design bears an inscription that states that it was made for the Queen of Naples in 1788. She was Marie-Caroline of Hapsburg-Lorraine, sister of Marie-Antoinette and wife of Ferdinand IV of Bourbon of the two Sicilies. The design for a small box, to be made out of precious metal, enamelled in colours, is from an album of designs which date from about 1735-1820 and includes those for snuffboxes, scent holders, watches and watch cases, spoons, fans and fan mounts, small swords, and chatelaines (ornamental chains, pins, or clasps usually worn at a woman's waist, to which trinkets, keys, purses, or other articles are attached).
There is a close relationship between the contents of the album and known work by three Parisian goldsmiths, Jean Ducrollay (1710-1787), Pierre- François Drais (active 1761-1788), and Charles Ouizille (1744-1830) whose names appear on the first page of the album. This suggests that all the designs emanate from their workshops. Drais worked for the Court at Versailles as jeweller to both King Louis XV and Louis XVI. Ouizille worked in this capacity for Louis XVI. Most of the material dates from the period 1755-90.
The design bears an inscription that states that it was made for the Queen of Naples in 1788. She was Marie-Caroline of Hapsburg-Lorraine, sister of Marie-Antoinette and wife of Ferdinand IV of Bourbon of the two Sicilies. The design for a small box, to be made out of precious metal, enamelled in colours, is from an album of designs which date from about 1735-1820 and includes those for snuffboxes, scent holders, watches and watch cases, spoons, fans and fan mounts, small swords, and chatelaines (ornamental chains, pins, or clasps usually worn at a woman's waist, to which trinkets, keys, purses, or other articles are attached).
There is a close relationship between the contents of the album and known work by three Parisian goldsmiths, Jean Ducrollay (1710-1787), Pierre- François Drais (active 1761-1788), and Charles Ouizille (1744-1830) whose names appear on the first page of the album. This suggests that all the designs emanate from their workshops. Drais worked for the Court at Versailles as jeweller to both King Louis XV and Louis XVI. Ouizille worked in this capacity for Louis XVI. Most of the material dates from the period 1755-90.
Object details
Categories | |
Object type | |
Materials and techniques | blind-stamping with the raised border handcoloured with a circular border from an engraving pasted into the centre on paper |
Brief description | Design form album of designs by Ouizille, French, eighteenth century. NOT TO BE ISSUED WITHOUT PERMISSION FROM THE HEAD OF DESIGNS |
Physical description | Blind-stamped impression taken from a circular box lid with the raised border handcoloured. |
Dimensions |
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Marks and inscriptions | 'Bordur des placque [illegible inscription] en bonbonier pour la reine de Naples 1788' (Marie-Caroline of Hapsburg-Lorraine, Queen of Naples (1751-1825).)
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Credit line | Purchased with the assistance of Wartski Limited |
Object history | Blind-stamped impression taken from a circular box lid of a bonbonier made for Marie-Caroline of Hapsburg-Lorraine, sister of Marie-Antoinette and wife of Ferdinand IV of Bourbon. |
Subjects depicted | |
Summary | Print of a design for a small box by an anonymous designer. It was made from a blind-stamped impression which is a print made by a form of relief printing. The design is impressed into the paper blind, that is un-inked. In this case, the circular metalwork box lid was the printing block. The raised border of the blind-stamped impression of the box is handcoloured in watercolour. The design bears an inscription that states that it was made for the Queen of Naples in 1788. She was Marie-Caroline of Hapsburg-Lorraine, sister of Marie-Antoinette and wife of Ferdinand IV of Bourbon of the two Sicilies. The design for a small box, to be made out of precious metal, enamelled in colours, is from an album of designs which date from about 1735-1820 and includes those for snuffboxes, scent holders, watches and watch cases, spoons, fans and fan mounts, small swords, and chatelaines (ornamental chains, pins, or clasps usually worn at a woman's waist, to which trinkets, keys, purses, or other articles are attached). There is a close relationship between the contents of the album and known work by three Parisian goldsmiths, Jean Ducrollay (1710-1787), Pierre- François Drais (active 1761-1788), and Charles Ouizille (1744-1830) whose names appear on the first page of the album. This suggests that all the designs emanate from their workshops. Drais worked for the Court at Versailles as jeweller to both King Louis XV and Louis XVI. Ouizille worked in this capacity for Louis XVI. Most of the material dates from the period 1755-90. |
Bibliographic reference | Heike Zech, 'Designs for Gold Boxes in the Album of the Workshop of Jean Ducrollay and his Successors', in Going for Gold: craftsmanship and collecting of gold boxes, ed. Tessa Murdoch and Heike Zech (Sussex academic press, 2014). |
Collection | |
Accession number | E.897:238-1988 |
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Record created | June 5, 2006 |
Record URL |
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