Design
ca.1760-1780 (made)
| Artist/Maker | |
| Place of origin |
Print of a design for a section from a neo-classical chatelaine (ornamental chains, pins, or clasps usually worn at a woman's waist, to which trinkets, keys, purses, or other articles are attached). This design was made from a copperplate engraving and produced for the private use of goldsmiths. This copperplate engraving was used as a base to try out enamel or gold colours. It could also have been shown to potential customers.
The design was made by an anonymous designer in about 1760-1780 and was possibly produced for an elite client from the Court of Louis XV, King of France, from 1715 to 1774, or that of Louis XVI, King of France from 1774 until 1791, at Versailles, Paris. It is from an album of designs which date from about 1735-1820 and includes those for snuffboxes, scent holders, watches and watch cases, spoons, fans and fan mounts, small swords, and chatelaines.
There is a close relationship between the contents of the album and known work by three Parisian goldsmiths, Jean Ducrollay (1710-1787), Pierre- François Drais (active 1761-1788), and Charles Ouizille (1744-1830) whose names appear on the first page of the album. This suggests that all the designs emanate from their workshops. Drais worked for the Court at Versailles as jeweller to both King Louis XV and Louis XVI. Ouizille worked in this capacity for Louis XVI. Most of the material dates from the period 1755-90.
The design was made by an anonymous designer in about 1760-1780 and was possibly produced for an elite client from the Court of Louis XV, King of France, from 1715 to 1774, or that of Louis XVI, King of France from 1774 until 1791, at Versailles, Paris. It is from an album of designs which date from about 1735-1820 and includes those for snuffboxes, scent holders, watches and watch cases, spoons, fans and fan mounts, small swords, and chatelaines.
There is a close relationship between the contents of the album and known work by three Parisian goldsmiths, Jean Ducrollay (1710-1787), Pierre- François Drais (active 1761-1788), and Charles Ouizille (1744-1830) whose names appear on the first page of the album. This suggests that all the designs emanate from their workshops. Drais worked for the Court at Versailles as jeweller to both King Louis XV and Louis XVI. Ouizille worked in this capacity for Louis XVI. Most of the material dates from the period 1755-90.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Copperplate engraving on paper |
| Brief description | Design from album of designs by Ouizille, French, eighteenth century. NOT TO BE ISSUED WITHOUT PERMISSION FROM THE HEAD OF DESIGNS |
| Physical description | Design, printed, for a unit from a neo-classical chatelaine |
| Dimensions |
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| Credit line | Purchased with the assistance of Wartski Limited |
| Subjects depicted | |
| Summary | Print of a design for a section from a neo-classical chatelaine (ornamental chains, pins, or clasps usually worn at a woman's waist, to which trinkets, keys, purses, or other articles are attached). This design was made from a copperplate engraving and produced for the private use of goldsmiths. This copperplate engraving was used as a base to try out enamel or gold colours. It could also have been shown to potential customers. The design was made by an anonymous designer in about 1760-1780 and was possibly produced for an elite client from the Court of Louis XV, King of France, from 1715 to 1774, or that of Louis XVI, King of France from 1774 until 1791, at Versailles, Paris. It is from an album of designs which date from about 1735-1820 and includes those for snuffboxes, scent holders, watches and watch cases, spoons, fans and fan mounts, small swords, and chatelaines. There is a close relationship between the contents of the album and known work by three Parisian goldsmiths, Jean Ducrollay (1710-1787), Pierre- François Drais (active 1761-1788), and Charles Ouizille (1744-1830) whose names appear on the first page of the album. This suggests that all the designs emanate from their workshops. Drais worked for the Court at Versailles as jeweller to both King Louis XV and Louis XVI. Ouizille worked in this capacity for Louis XVI. Most of the material dates from the period 1755-90. |
| Bibliographic reference | Heike Zech, 'Designs for Gold Boxes in the Album of the Workshop of Jean Ducrollay and his Successors', in Going for Gold: craftsmanship and collecting of gold boxes, ed. Tessa Murdoch and Heike Zech (Sussex academic press, 2014). |
| Collection | |
| Accession number | E.897:160-1988 |
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| Record created | June 5, 2006 |
| Record URL |
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